Jazz Articles about Josh Evans

About Josh Evans

Album Review

Alden Hellmuth: Good Intentions

Read "Good Intentions" reviewed by Neri Pollastri

by Neri Pollastri
September 29, 2025

Sempre attenta alle nuove leve internazionali, l'etichetta spagnola Fresh Sound pubblica l'album d'esordio della giovane sassofonista Alden Hellmuth, originaria del Connecticut ma da tempo residente a Los Angeles. In questo suo primo lavoro --per il quale ha già vinto in Germania un premio come miglior album di esordio del 2024 --l'artista si presenta al sax contralto alla testa di un quintetto completato dalla tastierista Yvonne Rogers, dal chitarrista Lucas Kadish, dalla contrabbassista Kanoa Mendenhall e dal batterista Timothy Angulo, formazione ...

Album Review

Dave Schumacher & Cubeye: Smoke in the Sky

Read "Smoke in the Sky" reviewed by Jack Bowers

by Jack Bowers
February 7, 2025

Chicago-bred, New York-based baritone saxophonist Dave Schumacher leans heavily toward Latin melodies and rhythms on Smoke in the Sky, his recording of an able septet he has dubbed Cubeye. Contemporary jazz lies at the core of Schumacher's cross- cultural endeavor, one that his like-minded teammates take readily to heart while lending their insight and expertise to the largely warm and engaging enterprise. While Schumacher's burly baritone, reminiscent of Pepper Adams, Ronnie Cuber, Nick Brignola, Gary Smulyan, Cecil ...

Liner Notes

Joe Chambers: Moving Pictures Orchestra: Live at Dizzy's Club Coca-Cola

by John Kelman
April 27, 2023

It's one thing to have an established `place in the jazz pantheon, another to continue redefining that position, long after others might be content to rest on their laurels. Joe Chambers' work behind the drum kit with artists including Andrew Hill, Bobby Hutcherson, Wayne Shorter, Freddie Hubbard, Charles Mingus, and McCoy Tyner has already ensured a prominent place in jazz history. His output as a leader may be small, but he's delivered two outstanding Savant recordings in 2006's The Outlaw ...

Album Review

Christian McBride: Prime

by Cary Tenenbaum
April 3, 2023

Prime's opening track, “Head Bedlam," opens with a cacophony of horns playing in a style reminiscent of Sun Ra's Arkestra. This transforms into a quiet, cool riff with bass and drums leading the way, shifting the music into a more accessible groove before returning to the aptly titled bedlam in the track's closing seconds. It is a brave opening to New Jawn's second release because it is not the easiest way to attract the casual jazz listener. ...

Album Review

Christian McBride's New Jawn: Prime

by Mike Jurkovic
March 4, 2023

"Head Bedlam," crashes from the gate with a gale force which instantly gives away the plot of Prime. Put simply, the sophomore release from maverick bassist Christian McBride's New Jawn (Philadelphia slang for something not yet named or created) is a free-form steeplechase. Crying, screeching, testifying, New Jawn trumpeter Josh Evans and saxophonist & bass clarinetist Marcus Strickland blow wild and loud over drummer Nasheet Waits' tumbling manifesto and McBride's deep-rooted thrumbling, to summon forth the ancestors (Ornette Coleman for starters) to jam ...

Album Review

Brandon Goldberg: In Good Time

Read "In Good Time" reviewed by Mike Jurkovic

by Mike Jurkovic
October 21, 2021

Pianist Brandon Goldberg may not have the seasoned years behind him yet, (In Good Time finds him brewing with ideas most fifteen-year-olds never tackle) but it is no more a beloved veteran than the late Ralph Peterson who, via a wisely archived voice mail, urges the young man “What's up Brandon, gimme a shout man we hook up later this week!" The drummer and cat supreme then wishes him “Peace" and a split second later the barnstorming, deftly pugilistic “Authority" ...

Album Review

Warriors of the Wonderful Sound: Soundpath

Read "Soundpath" reviewed by Mark Corroto

by Mark Corroto
July 9, 2021

If we alter President John F. Kennedy's 1962 moon spaceflight speech just a bit, it easily fits the big band adaptation of Muhal Richard Abrams' magnum opus Soundpath, “We choose to perform this composition not because it is easy, but because it is hard, because that goal will serve to organize and measure the best of our energies and skills, because that challenge is one that we are willing to accept." Accepting the challenge was band leader Bobby Zankel and ...