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Jazz Articles about John Tropea

About John Tropea

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Liner Notes

Deodato: In Concert - Live At Felt Forum

by Arnaldo DeSouteiro
January 22, 2026

Since his days at Verve Records in the early 1960s, when he produced seminal bossa nova albums by such artists as Luiz Bonfá, Antonio Carlos Jobim, Walter Wanderley, Laurindo Almeida, Bola Sete,, João Gilberto and Astrud Gilberto, until his activities during the A&M/CTI era (when also signed Milton Nascimento and Tamba 4) and at the Greenestreet label (which thrived for a scant ten months in 1984, but gave him enough time to launch trumpeter Claudio Roditi's solo career), Creed Taylor ...

Album Review

Luiz Millan: Brazilian Match

Read "Brazilian Match" reviewed by Chris M. Slawecki

by Chris M. Slawecki
September 20, 2023

Brazilian Match is a tour-de-force of classic and contemporary Brazilian music written by and featuring singer-songwriter Luiz Millan. Millan's fifth album is a leader is his first for Jazz Station Records and Brazilian jazz impresario Arnaldo DeSouteiro, whose storied history includes working with Antonio Carlos Jobim, Eumir Deodato, Dom Um Romão, João Donato, and other legends, and who called Millan “a composer's composer." “A great melodist who also happens to be a great poet, a fabulous storyteller; a ...

Album Review

John Tropea: Gotcha Rhythm Right Here

Read "Gotcha Rhythm Right Here" reviewed by Jack Bowers

by Jack Bowers
June 20, 2015

Although thirty-one musicians are listed, guitarist John Tropea's latest recording isn't strictly a big-band album, as the sidemen perform on assorted tracks in groups whose size varies from five to twelve. Tropea is always present, of course, as is his friend and fellow composer / arranger Chris Palmaro on the Hammond B3 organ or Fender Rhodes keyboard (Palmaro also plays bass, drums, strings and percussion). As the album's title denotes, rhythm is always present as well, much of it a ...

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Album Review

Deodato: Deodato 2

Read "Deodato 2" reviewed by David Rickert

by David Rickert
July 16, 2002

The surprise success of “Also Sprach Zarathrustra” on Prelude prompted Deodato to quickly follow with Deodato 2, a record that closely followed the template of his first number one hit. Deodato knew there was a lot of money to be made courting the rock audience, and there’s little on this record that could safely be called jazz. However, this record still stands up remarkably well today, unlike some of the other keyboard-driven records from the era. This time “Rhapsody in ...