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Jimmy Cobb's Mob: Cobb's Groove
by Jack Bowers
Some decisions are good, others bad, and a few are quite simply inspired, such as producer Todd Barkan's decision to invite tenor saxophonist Eric Alexander to join drummer Jimmy Cobb's Mob on its latest album, Cobb's Groove. I can picture the session as being a pretty good one without Alexander sitting in; with him, it rises far above that, moving toward the adjectival equivalent of superlative. And that's no knock on Cobb, pianist Richard Wyands, guitarist Peter Bernstein or bassist ...
Continue ReadingMiles Davis and Sonny Stitt: Jazz Time: Olympia
by Samuel Chell
On page 249 of his autobiography, Miles Davis recounts driving around Philly with Jimmy Heath, recalling that he “probably was complaining to him about Sonny Stitt playing the wrong [stuff] on 'So What,' because he would always [mess] up on that tune."The marvel is that Miles called on Stitt to replace Coltrane in the first place. But Wayne Shorter wanted to stay on with Art Blakey, so the most complete and polished bebop player of them all, a ...
Continue ReadingWes Montgomery: Boss Guitar
by Kurt Gottschalk
Wes Montgomery recorded Boss Guitar at age 38, near the end of his acclaimed Riverside years and just five years before his death. While the records that followed would give him some radio hits (and lose him some fans), the 1963 session was a time when he really could make the bold claim of the album’s title. The previous year, Montgomery had placed fourth in the then influential Playboy Jazz Poll among reader ballots, and had been named “All-Stars’ All-Star ...
Continue ReadingDon Sleet: All Members
by Derek Taylor
Jazz, like any commercial art form, is a proving ground populated by far more practitioners than actually make the cut. The analogy of an iceberg is apropos. For every musician whose talent rises above the sea of public opinion’s surface there are literally thousands of others that toil away in obscurity beneath the waves. In the spring of 61’ Don Sleet seemed set to become one of the chosen few situated for stardom. Formidable brass chops sharpened in gigs as ...
Continue ReadingDinah Washington: Queen of the Juke Box "Live", 1948-1955
by Dave Nathan
Ted Ono's Baldwin Street Music has rescued Dinah Washington's live performances from New York's Birdland, Royal Roost and Basin Street. There are also a couple of cuts from the soundtrack of Harlem Variety Review. It was during this period that many of her recordings consistently appeared at the top of the R & B charts. But it wasn't until her classic “What a Difference a Day Made" that she broke through to the pop charts. The first performance on the ...
Continue ReadingEndless Miles: A Tribute to Miles Davis
by Jack Bowers
A well--formed program of contemporary Jazz (for the most part anyway), presented for a good cause as well. A part of the net proceeds from Endlessmiles, recorded by a number of all--star groups at New York City's Birdland on May 26, 1998--the 72nd anniversary of the late trumpeter's birth--will be used to help establish an endowment for young musicians, the MilesDavis.com scholarship, to be administered by the International Association of Jazz Educators (IAJE). Two of the eight songs ...
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