Jazz Articles about Jerry Garcia
About Jerry Garcia
Instrument: Guitar, electric
Article Coverage | Calendar | Albums | Photos | Similar ArtistsRFK Stadium, Washington, D.C. 6/10/73
by Doug Collette
As much or more so than any previously released new release or archive package, the cover art of Grateful Dead's RFK Stadium, Washington, D.C. 6/10/73 accurately (and vividly) reflects the nuances of the music behind the enticing graphics. In a pastel green and pink/orange color scheme of both matt and glossy finish, Masaki Koike's intricate designs hint at the dense subtleties the iconic band infuses into its chosen range of material during this approximately four-hour cull from the larger seventeen-CD ...
read moreBob Weir: Ace - 50th Anniversary Deluxe Edition (2CD)
by Doug Collette
Befitting its heady milestone date, the title of Bob Weir's initial solo album, Ace, carries multiple meanings. First of all, it was the Grateful Dead guitarist, vocalist & songwriter's nickname at the time of its gestation and completion (his bawdy persona as such mirrored in the ultra-suave pose on the inside photo as well as the risque cover art). More importantly, the album's name is also a reflection of the gambling lore so prevalent in songs of the ...
read moreLyceum Theatre, London, England - 5/26/72
by Doug Collette
The final night of any given tour can find the musicians excited at the prospects of jobs well-done throughout the prior road work or exhausted and lethargic from their previous labors. Fifty years ago, when the Grateful Dead's Europe '72 (Warner Bros., 1972) was released, the third LP of the set (conceived as such in part as fulfillment of their contract with the label), included material from the final show of the now mythic tour, clearly documenting how these psychedelic ...
read moreGrateful Dead: Dave’s Picks Volume 38: Nassau Veterans Memorial Coliseum, Uniondale, NY 9/8/73
by Doug Collette
For all the most practical of reasons, the Grateful Dead were never better in live performance than in 1973-1974. Those pertinent virtues of this iconic rock and roll band on stage are fully on display over the course of this three-CD edition of Dave's Picks, a clear depiction of the sweet spot between structured and open-ended playing, based on splendid songs, within which the group comfortably resided during this period. First off, the iconic band had a wealth ...
read moreGrateful Dead: Fox Theatre, St. Louis, MO (12/10/71)
by Doug Collette
A cull from Listen to the River: St. Louis '71-'72-73 (Rhino, 2021), a twenty-disc box of Grateful Dead live recordings, Fox Theatre, St. Louis , MO 12/10/71 was prepared and configured like an exclusive standalone title. Headed by chief keeper of the vault, David Lemieux, the team of curators lavish a level of creativity and attention to detail upon this package that is a direct reflection of the musical skills these psychedelic warriors exhibit within this three-CD set.
read moreGrateful Dead: Grateful Dead (Skull & Roses)
by Doug Collette
Grateful Dead, the second album of concert recordings released by the iconic band for Warner Brothers Records, resides squarely in the sweet spot between the expansive likes of its corollary, Live Dead (Warner Bros., 1969) and the economical studio recordings this group issued in between, Workingman's Dead (Warner Bros., 1970) and American Beauty (Warner Bros., 1970). Likewise, this 50th Anniversary Edition not only expands upon the original title, appearing remastered by engineer David Glasser to great effect (more full and ...
read moreGrateful Dead: American Beauty: 50th Anniversary Deluxe Edition
by Doug Collette
If it's true the Grateful Dead epitomize the counter culture of the Sixties, it's also true the iconic group embraced the following decade on its very own terms, at least at the outset of the period. Workingman's Dead (Warner Bros., 1970) represents an authoritative and confident statement of artistic purpose, while its companion piece, American Beauty (Warner Bros., 1970), is an even more staunch and exquisite declaration of style, one based on folk and country roots almost diametrically opposed to ...
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