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28

Album Review

Brad Goode: Live Your Dream

Read "Live Your Dream" reviewed by Jack Bowers

by Jack Bowers

Live Your Dream is the second album on which trumpet master Brad Goode and acclaimed tenor saxophonist Ernie Watts have shared the front line. The first, That's Right!, was recorded eight years earlier, in 2018. The sophomore enterprise was taped live at the North Street Cabaret in Madison, Wisconsin, something the musicians were unaware of until after the concert was over. Make no mistake, these are accomplished artists who have circled the track many times in a wide ...

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5

Album Review

Steve Wilson: Enduring Sonance

Read "Enduring Sonance" reviewed by Andrew Schinder

by Andrew Schinder

Virginia-born, New York-based alto saxophonist and multi-instrumentalist Steve Wilson has created a sonic palette overflowing with delightfulness with Enduring Sonance, Wilson's debut album. Wilson's trademark dulcet tones fill the record, which eschews any hint of difficulty or impenetrability in favor of pure pleasure and musical expertise. Enduring Sonance is calculatedly straight-ahead, an exercise in accessibility without sacrificing sophistication. Wilson is supported by a tight, powerhouse backing band. The brilliant pianist Renee Rosnes, who has a longstanding relationship with Wilson, is ...

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Album Review

Bill Ware and the Club Bird All Stars: Martian Sunset

Read "Martian Sunset" reviewed by Angelo Leonardi

by Angelo Leonardi

In questi anni di rinascimento del vibrafono--con la presenza di notevoli giovani strumentisti di entrambi i sessi--non dimentichiamoci di Bill Ware, solista molto attivo nei territori di frontiera col rock dalla fine degli anni ottanta ad oggi. Ricordiamo la sua lunga collaborazione con The Jazz Passengers, Groove Collective, Steely Dan e le incisioni con protagonisti trasversali: John Zorn, Bobby Previte, Elvis Costello ecc...). In questo nuovo album (il primo dal 2009 in veste di leader), Ware riprende la ...

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10

Album Review

Maria Schneider Orchestra: American Crow

Read "American Crow" reviewed by Dan McClenaghan

by Dan McClenaghan

Maria Schneider has a thing for birds. Credible sources have reported sightings of the jazz composer frequenting Central Park wearing a floppy hat, a pair of binoculars hanging from her neck. Her 20-plus minute “Cerulean Skies," from her album (one of her masterpieces) Sky Blue (ArtistShare, 2007) speaks to her love for birds; her fascination with their migratory nature and their arduous flights, which span continents and beyond. The composition “Bluebird," from the “Our Natural World"' half of her 2-disc ...

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Album Review

Gabriele Comeglio: The Journey

Read "The Journey" reviewed by Angelo Leonardi

by Angelo Leonardi

In un ruolo più appartato rispetto a jazzisti italiani della generazione precedente, divenuti celebri anche al grande pubblico, Gabriele Comeglio ha svolto continuative esperienze anche nella musica leggera, producendo ed orchestrando numerosi dischi di Mina, collaborando con Battiato, Dalla, De Gregori, Daniele, Antoniacci e altri, scrivendo musiche per teatro, cinema e televisione. La sua carriera di professionista nel mondo del jazz è iniziata nei primi anni ottanta dopo il diploma alla Berklee School di Boston e tre lauree ...

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3

Album Review

Art Baden: How Much of It Is Real

Read "How Much of It Is Real" reviewed by Troy Dostert

by Troy Dostert

Continuing its well-established mission of documenting some of the noteworthy Russian musicians in today's jazz, the Rainy Days label offers another up-and-comer, tenor saxophonist Art Baden. Joined by three seasoned veterans, Baden provides both fire and sensitivity on his debut disc, How Much of It Is Real--and it is a promising effort all-around. Bassist Jay Anderson, vibraphonist Joe Locke and drummer Jeff Tain Watts will need no introduction to serious followers of mainstream jazz, and they give Baden ...

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1

Album Review

Brian Landrus: Plays Ellington & Strayhorn

Read "Plays Ellington & Strayhorn" reviewed by Angelo Leonardi

by Angelo Leonardi

In questo nuovo album, Brian Landrus esalta la magniloquenza della sua timbrica grave con l'ampia gamma di strumenti che usa: non solo i prediletti sax baritono e clarinetto basso ma sax basso, flauto basso, flauto contralto, clarinetto contralto, ottavino e vari altri. La scelta del celeberrimo songbook di Duke Ellington e Billy Strayhorn è piuttosto insidiosa, per la difficoltà di trovare una chiave di lettura originale in un repertorio abusato, ma Landrus ha trovato la sua via: «Ascoltando questi ...

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