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Jazz Articles about Jan Harbeck


About Jan Harbeck

20

Album Review

Martin Lutz Group: LoLife/HiLife

Read "LoLife/HiLife" reviewed by Chris May

by Chris May

Danish pianist and composer Martin Lutz spent much of his childhood in Eastern and Southern Africa and elements of those regions' music are to the forefront of his writing, grafted on to a Northern European folk and neo-classical base. On LoLife/HiLife, Lutz leads a sextet with a three-saxophones frontline and the African influence is most clearly heard in his horn voicings. The result is a lyrical and redemptive sound which somehow, despite this being a purely instrumental ...

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4

Album Review

Jan Harbeck Quartet: Balanced

Read "Balanced" reviewed by Neil Duggan

by Neil Duggan

Should you find yourself sitting by the fireside late at night, perhaps swirling something in a glass, and you fancy listening to some elegantly refined jazz, then this album should fit the bill. Jan Harbeck is a Danish saxophonist, bandleader and composer and Balanced is his sixth album with his long-standing quartet. The Jan Harbeck Quartet play to packed houses around Denmark and Europe and have multi-million streams on Spotify. Previously, they have often used the Great American ...

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3

Live Review

Jan Harbeck Quartet At Jazzhus Montmartre

Read "Jan Harbeck Quartet At Jazzhus Montmartre" reviewed by Martin McFie

by Martin McFie

The Jan Harbeck Quartet Jazzhus Montmartre Copenhagen, Denmark August 27, 2020 A few blocks away from the Christiansborg Palace--the seat of the Danish government--in a street filled with bustle and bicycles, is Jazzhus Montmartre, which has been here, or near here, since it began in 1959, that magical year for modern jazz recordings which saw the release of Miles Davis' Kind of Blue, Charles Mingus' Mingus Ah Hum and Dave Brubeck's Time ...

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9

Album Review

Jan Harbeck Quartet: The Sound The Rhythm

Read "The Sound The Rhythm" reviewed by Jakob Baekgaard

by Jakob Baekgaard

Jan Harbeck is a Danish tenor saxophonist whose debut with his quartet, In the Still of the Night (Stunt, 2008), received a Danish Grammy. At that time, Kresten Osgood was playing the drums. On the quartet's second album, Copenhagen Nocturne (Stunt, 2011), he was replaced by Anders Holm, but otherwise the line-up with bassist Eske Nørrelykke and pianist Henrik Gunde was intact. On these two albums, the musicians perfected a stylish noir universe of softly swinging jazz with interpretations of ...

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