Jazz Articles about James Maddren

About James Maddren

Album Review

Composer-arrangers as diverse as Gil Evans and Charles Mingus have employed the French horn, but it remains something of a niche instrument in jazz. Why? The same question applies to the almost complete absence of trombones in West African jazz and Afrobeat, and their ubiquity in Brazilian samba. The first convincing explanation in the Comments box below will win a night out with Sidney Powell or Rudy Giuliani. The second such explanation will win two nights. Anyway, Britain's Jim Rattigan ...

Album Review

Josephine Davies: How Can We Wake?

Read "How Can We Wake?" reviewed by Friedrich Kunzmann

by Friedrich Kunzmann
November 9, 2020

Straight out of Europe's hippest jazz-scene, London-based saxophonist Josephine Davie's third effort with her trio, Satori, offers a collage of melodic meditations that simultaneously defy and conform to their rhythmic and harmonic frames. As All About Jazz's Chris May very fittingly puts it in an extensive conversation with the saxophonist, unlike many of her UK-based contemporaries, Davies' brand of jazz isn't made up of dancefloor grooves or Afro-infused beats, but instead searches for innovation in the Far East, ...

Album Review

Josephine Davies: How Can We Wake?

Read "How Can We Wake?" reviewed by Chris May

by Chris May
September 24, 2020

Compared to many of the other premier-league bands on the new London jazz scene, tenor saxophonist and composer Josephine Davies' Satori has attracted relatively little noise. There has been high praise from specialist critics, but little of the social media ballyhoo that has surrounded, for instance, bands led by fellow tenors Nubya Garcia and Binker Golding (who deserve all the praise they get). This may be because, unlike many of its contemporaries, Satori's style, though rhythmically rich, is not infused ...

Album Review

AuB: AuB

by Chris May
May 15, 2020

Twin-tenor frontlines are almost as old as jazz itself. Sonny Rollins and John Coltrane's meeting on the title track of Rollins' Tenor Madness (Prestige, 1956) may be the starting point for some listeners, but AAJers do not need reminding that the tradition was popular in live performances as far back the 1920s. Later, with the arrival of LPs, multi-chorus chases became possible on record--a case of technology catching up with artistic practice rather than, as has been the norm in ...

Album Review

MY IRIS: MY IRIS Live!

Read "MY IRIS Live!" reviewed by Ian Patterson

by Ian Patterson
April 30, 2020

Unable to undertake its scheduled April tour due to COVID 19, MY IRIS, the quartet led by saxophonist Trish Clowes, releases this live recording culled from gigs in Belfast and Galway in October 2019. Captured on Zoom recorder, Clewes has done an admirable job in producing a presentable sound on this digital-download, Bandcamp release. More importantly, in capturing for posterity one of the UK's leading jazz quartets in such fine form, MY IRIS Live! is an important document, and perhaps ...