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Jeong Lim Yang: Synchronicity
by Neri Pollastri
È piuttosto sorprendente questo nuovo lavoro di Jeong Lim Yang, contrabbassista coreana residente a New York dal 2011 e ormai figura molto presente nella musica metropolitana. Alla testa di un eccellente quartetto, entro il quale spicca la viola di Mat Maneri, la Yang presenta un programma di proprie composizioni (solo “Salad for Lunch" è firmata dal pianista del gruppo, Jacob Sacks), estremamente complesse nell'intreccio stilistico e tutte molto aperte agli apporti dei musicisti, che di fatto conferiscono al disco una ...
Continue ReadingJeong Lim Yang: Synchronicity
by Jerome Wilson
Bassist Jeong Lim Yang is a member of the Brooklyn jazz scene who has worked with many different musicians such as Jason Palmer, Oscar Noreiga, and Kenny Wollesen. On her third album as a leader, she uses a quartet combining motion and atmosphere with melodic beauty elements. The quartet has Mat Maneri on viola, Jacob Sacks on piano, Randy Peterson on drums and Yang on bass. The overall group sound is fluid with the rhythm section shifting through ...
Continue ReadingDon Peretz/Jacob Sacks: Numerals
by Dan Bilawsky
The integer most integral to Numerals is the number two. A duo date highlighting the communicative and experimental bents bonding drummer-composer Don Peretz with pianist Jacob Sacks, it was recorded in two parts, in two states, with two different modi operandi in play. The first session, at Kaleidoscope Sound in Union City, New Jersey, was entirely open-minded and open-ended, with free-composed creations forming a chassis, and Peretz, in electro-acoustic maverick mode, building around that body with post-production design elements and ...
Continue ReadingMike McGinnis + 9: Outing
by Angelo Leonardi
Il nuovo album di Mike McGinnis si riallaccia a un'incisione del 2013 (Roadtrip, RKM) realizzata con un tentet d'identica strumentazione e un solo mutamento d'organico: Caroline Davis al sax contralto prende il posto di Matt Blostein. Dopo il successo del suo trio del 2017/18 con Steve Swallow e Paul Bley (ricordiamo i due album Sunnyside Recurring Dream e Singular Awakening) il clarinettista torna a evidenziare le sue doti di autore e arrangiatore in un medio organico che ...
Continue ReadingDan Weiss Trio: Dedication
by Troy Dostert
Approaching any Dan Weiss album requires a willingness to be challenged. From head-scratching time signatures to fascinating shifts in mood and texture, Weiss gives intrepid listeners a number of pathways into his music, and his releases always justify repeated encounters. Dedication, his latest with his regular trio partners pianist Jacob Sacks and bassist Thomas Morgan, is no exception, although what is most remarkable about this album is Weiss' lyrical sensitivity, a quality which is sometimes overshadowed on his other recordings ...
Continue ReadingChet Doxas: Rich in Symbols II
by Troy Dostert
One of Chet Doxas' more distinctive projects, Rich in Symbols (Ropeadope, 2017), involved the saxophonist/clarinetist engaging the 1980s art movement of New York's Lower East Side, composing pieces that reflected his deep interactions with some of those iconic paintings. Now he has done the same with artists from his native Canada: specifically, the Group of Seven, a movement of landscape artists who were active from the early 1910s through the first years of the 1930s. By selecting several of their ...
Continue ReadingJacob Garchik: Assembly
by Hrayr Attarian
Trombonist and composer Jacob Garchik is versatile and restlessly inventive. His past work has ranged from a brass-only orchestra to a guitar-heavy ensemble as well as a unique take on gospel music. His sixth release, the provocative Assembly, evokes film soundtracks with a touch of fantasy. The nine originals make a cohesive whole with a creative momentum which does not slack. The opening track “Collage" has two distinct layers; in the background Garchik and soprano saxophonist Sam Newsome ...
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