Jazz Articles about Jacob Fred Jazz Odyssey

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Jacob Fred Jazz Odyssey: The Battle for Earth

by Doug Collette
October 14, 2015

The Jacob Fred Jazz Odyssey has been an adventuresome group since first initiated as an eight piece ensemble in its home of Oklahoma in 1994 But the group has quite possibly never lived up so fully to its moniker since realigning itself as a trio (again) in 2013. Keyboardist and charter member Brian Haas, guitarist/lap steel/synth player Chris Combs and drummer Josh Raymer have engaged in ambitious projects like The Race Riot Suite (Kinnara Prod., 2011), as well as self-sufficient ...

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Jacob Fred Jazz Odyssey: Worker

by Dave Wayne
January 30, 2015

Of all the bands playing jazz-rock, or fusion, or whatever-you-want-to-call it, the Jacob Fred Jazz Odyssey (or JFJO as they're known by their fans) is the one that comes closest to embodying Joe Zawinul's dictum regarding Weather Report's modus operandi: ..."nobody solos, everybody solos." The similarities stop there, however, though JFJO's careening omnivorous creativity, like Weather Report's, has enabled the band to carve out some very distinctive sonic territory. While JFJO's omnivorous jazz aesthetic--one which embraces Earl Hines as well ...

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Jacob Fred Jazz Odyssey: Millions: Live in Denver

by Dave Wayne
August 19, 2014

Long associated, for better or worse, with the so-called jam band phenomenon of the mid-to-late 1990s, the Jacob Fred Jazz Odyssey continues to generate intelligent, daring, genre-defying music. JFJO's first live recording in a decade or so, Millions: Live In Denver, is part celebration of their 20th year of existence and part revelry in their new sound: a pared-down lineup of keys, drums and guitar. The Tulsa, Oklahoma-based brainchild of keyboardist and composer Brian Haas, JFJO has gone through a ...

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Jacob Fred Jazz Odyssey: Race Riot Suite

by Doug Collette
September 19, 2011

Jacob Fred Jazz Odyssey's Race Riot Suite is a reminder how adventurous the group has always been since its inception in 1994--never more so, perhaps, than in its latest incarnation, in place beginning in 2010. Four intervals, labeled “Prayers," are interspersed throughout the seven formally labeled tracks and allow JFJO to demonstrate its own collective and individual skill at improvisation. That cursory and close listens whet the appetite for more such jamming is a tribute to the judicious ...

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Chris Combs: Jacob Fred's Tulsa Tale

by Daniel Lehner
September 19, 2011

On a Memorial Day in 1921 Tulsa, Oklahoma, an encounter between a young black shoe shiner named Dick Rowland and a white elevator operator named Sarah Page--an incident that was reported with hazy details and shocking incompleteness--started one of the most brutal and tragic race riots in American history. Even more tragic, however, was how little the event was discussed by national or even Oklahoman sources. It was an event that Jacob Fred Jazz Odyssey's Chris Combs, like many proud ...

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Jacob Fred Jazz Odyssey: Lil Tae Rides Again

by James Taylor
April 15, 2008

Jacob Free Jazz Odyssey's Lil Tae Rides Again unfolds more like an eclectic indie-rock album than the jam band romps they've been known to fashion. A marriage of instrumental post-rock-infused jazz in the vein of Tortoise's brilliant TNT (Thrill Jockey, 1998) and hyperactive avant-funk and digital illbient a la DJ Spooky, Lil Tae is the ultimate in accomplishments, a near perfect reinvention of direction and sound. And perhaps that has more to do with the way this ...

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Jacob Fred Jazz Odyssey: Lil' Tae Rides Again

by Chris May
March 31, 2008

With Lil' Tae Rides Again, their first studio album since The Sameness Of Difference (Hyena Records, 2005), the mercurially inclined Jacob Fred Jazz Odyssey have taken their biggest step so far into the unknown, re-inventing themselves in the process, at least for this project. The band gave unfettered creative control of the finished disc to their Tulsa neighbor, producer and electronicist Tae Meyulks, allowing him to deconstruct and reassemble the raw tracks as the spirit took him.

The ...