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Harvie S: Bright Dawn
by Jack Bowers
At a time when economics often dictates the size and scope of a jazz group, adding a guitarist to a typical piano-bass-drums trio makes a world of difference. And when said guitarist is Peter Bernstein, the difference is even more pronounced. That gives bassist Harvie S a clear headstart on Bright Dawn, a modest studio date with Bernstein broadening the usual trio setting on the bassist's 21st recording as leader of his own ensemble--the first, however, following a 15-year hiatus. ...
Continue ReadingJon Gold: Things Are Looking Up
by Jack Bowers
On Things Are Looking Up, California-bred pianist and composer Jon Gold uses a dozen able musicians in groups of various sizes from duo to quintet to add color and spice to his generally harmonic and accessible post-bop themes. Four of these themes are tributes to those who have influenced Gold musically or personally, and the album opens with one: a quintet reading of the “For Rudy van Gelder," with sometimes strident solos by tenor saxophonist Kevon Scott and ...
Continue ReadingCliff Korman: Urban Tracks
by Richard J Salvucci
An avid listener of Brazilian music could go crazy trying to figure out exactly where Cliff Korman comes down musicially. His opening track , “Cheio de Malicia" could almost be taken for some sort of stride-bossa--the same feel pops up on “Canhoto" too--with allusions to Kenny Barron, Vince Guaraldi, McCoy Tyner even. Paired with bassist Harvie S, who seems to top himself on each successive track, Korman's creativity and sheer musicianship is a delight, the “sound of surprise" if there ...
Continue ReadingJerry Bergonzi: Extra Extra
by Alberto Bazzurro
L'italo-americano Jerry Bergonzi è notoriamente uno dei sommi sacerdoti del tenorsassofonismo contemporaneo--vogliamo definirlo post-coltraniano? nel suo caso più che mai--che sta a indicare di fatto l'ultimo mezzo secolo di musica afroamericana, in pratica ciò che è arrivato dopo lo svolgersi delle avanguardie storiche (in quanto tali, appunto, non perché dopo si siano esaurite, per buona sorte), alle quali non ha mai guardato con troppa attenzione. Il fatto che sia nato (a Boston) nel 1947 ci dice come questo ...
Continue ReadingCliff Korman: Urban Tracks
by Katchie Cartwright
As ever, Urban Tracks finds pianist, arranger-composer and scholar Cliff Korman alchemizing, jazzifying choros and Brasilifying jazz tunes to create his own distinctive arrangements. Mood Ingênuo: Pixinguinha Meets Duke Ellington with Paulo Moura (Jazzheads, 1999), Brasilified (Tiger Turn, 2022) and Bossas and Ballads (Tiger Turn, 2024) are among other examples in his discography. He recorded Urban Tracks in his hometown, New York, with Brazilian drummer Rafael Barata and NYC bassist Harvie S, but these days Korman lives in Rio de ...
Continue ReadingThe Paul Carlon Quintet: Blues for Vita The Paul Carlon Quintet
by Nicholas F. Mondello
Blues for Vita provides listeners with an outstanding eight-selection presentation that is a modernized throwback to the days when tenor-trumpet quintets such as Art Blakey and the Jazz Messengers, Lee Morgan's, and Cannonball Adderley's ensembles were the mainstays of jazz labels such as Riverside, Columbia, and Blue Note. The album offers a well-produced mix of straight-ahead, boogaloo, and Latin-flavors from five terrific Paul Carlon originals, two Broadway musical grabs, and a Larry Willis tune made most famous by Woody Shaw ...
Continue ReadingKarrin Allyson: A Kiss for Brazil
by Katchie Cartwright
A Kiss for Brazil is Kansas-bred Grammy-nominated singer Karrin Allyson's third release to feature Brazilian music (From Paris to Rio, Concord, 1999; Imagina, Concord, 2008), and her first to showcase Brazilian musicians: Vitor Gonçalves on piano and accordion, Rafael Barata at the drums, plus the acclaimed singer-guitarist and songwriter Rosa Passos. First-call New York-based guitarist Yotam Silberstein and bassist Harvie S complete the group. The album sprang into being spontaneously, in response to a concert Passos had scheduled in New ...
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