Harvie S: Bright Dawn

At a time when economics often dictates the size and scope of a jazz group, adding a guitarist to a typical piano-bass-drums trio makes a world of difference. And when said guitarist is Peter Bernstein, the difference is even more pronounced. That gives bassist Harvie S a clear headstart on Bright Dawn, a modest studio date with Bernstein broadening the usual trio setting on the bassist's 21st recording as leader of his own ensemble—the first, however, following a 15-year hiatus.

The other members of Harvie's group, each of whom plays a pivotal role, are pianist Miki Hayama (Fender Rhodes on "Ghosts of Havana" and "Voice in the Sky") and drummer Matt Wilson who introduces and sparks the perky "I've Got Rhythm and Blues." That is one of Harvie's eight compositions, escorting Bob Dorough's playful "Devil May Care" and Chick Corea's sunny "Humpty Dumpty."

And therein lies the session's most problematic aspect. Even though decent and well-intentioned, Harvie's compositions are, to be frank, several lengthy strides away from memorable. While that may be traced in part to the group's makeup and Harvie S's resolve to lead the way, the fact remains that the success of any collective enterprise, regardless of size or shape, rests in large measure on its choice of material, and most of the songs on Bright Dawn simply don't measure up, even with Bernstein on board to help enliven them.

Harvie must be given props for naming one of his themes "Navalny" (and enhancing it with arco and string bass) but even that melody seems tame when compared to what comes next, the spunky "Rhythm and Blues," one of the session's few high spots. Hayama is an impressive soloist, as is Bernstein, and their expertise must be noted. That is not, however, nearly enough to raise Bright Dawn above the norm.