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Jazz Articles about Hans Luchs
Hans Luchs: The Spell is Broken
by Artur Moral
The third record by NYC-based guitarist Hans Luchs arrives six years after his praiseworthy--but largely overlooked--sophomore release, Until Next Time (Self Produced, 2018). As with that album, the Chicagoan embraces the well-known motto of “less is more," distilling his guitar expertise and writing talent into less than forty minutes across eight new original compositions. Luchs stands as the antithesis of what we might call a jazz guitar hero and rejects any instrumental prominence as a leader. His approach ...
Continue ReadingAndrew Vogt: Awakening
by Glenn Astarita
Chicago-based Andrew Vogt's Awakening is a profound exploration of the bass guitar's potential as a melodic and rhythmic force. The album highlights Vogt's exceptional musicianship and compositional skill as he delves into a rich sonic palette. It is a jazz album that feels like a musical journey through a dreamscape, where each track is a different chapter in an unfolding story. The album opens with the melodic title track, “Awakening," which sets a serene yet powerful tone with ...
Continue ReadingHans Luchs: Time Never Pauses
by Budd Kopman
While it does not scream downtown, avant-garde, uber originality, guitarist Hans Luchs debut recording, Time Never Pauses, is far from a vanilla, “jazz as style" offering, and, in fact has much going for it. For one thing, his band, consisting of drummer George Fludas, bassist Clark Sommers, pianist Stu Mindeman and Shaun Johnson on trumpet is extremely tight, precise and, in many spots, smoking. Luchs does not dominate the session, and is part of the rhythm section for ...
Continue ReadingHans Luchs: Time Never Pauses
by C. Michael Bailey
Chicago-based guitarist Hans Luchs draws more from the recent than far past. More John Abercrombie and John Scofield than Wes Montgomery or Grant Green. His debut recording Time Never Pauses is a collection of eight original compositions and two transformed standards reveals the continued refining of modern jazz composition well past the head-solo section-head style of hard bop and the liquid freedom of post bop into pure composition. “Der Lumenmeister," the album opener is labyrinthian in both ...
Continue ReadingHans Luchs: Time Never Pauses
by Jack Bowers
Not much can be said about Hans Luchs aside from the fact that he lives in Chicago, looks to be fairly young and plays an intense, assertive and agile guitar on Time Never Pauses, which, incidentally, is Luchs' recorded debut as leader of his own group. Luchs is also a writer who composed eight of the album's ten selections (the others are Duke Ellington's “Come Sunday" and Cole Porter's “Get Out of Town") and arranged all of them.
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