Jazz Articles about Hans Luchs

About Hans Luchs

Album Review

Hans Luchs: The Spell is Broken

Read "The Spell is Broken" reviewed by Artur Moral

by Artur Moral
January 24, 2025

The third record by NYC-based guitarist Hans Luchs arrives six years after his praiseworthy--but largely overlooked--sophomore release, Until Next Time (Self Produced, 2018). As with that album, the Chicagoan embraces the well-known motto of “less is more," distilling his guitar expertise and writing talent into less than forty minutes across eight new original compositions. Luchs stands as the antithesis of what we might call a jazz guitar hero and rejects any instrumental prominence as a leader. His approach ...

Album Review

Andrew Vogt: Awakening

Read "Awakening" reviewed by Glenn Astarita

by Glenn Astarita
August 5, 2024

Chicago-based Andrew Vogt's Awakening is a profound exploration of the bass guitar's potential as a melodic and rhythmic force. The album highlights Vogt's exceptional musicianship and compositional skill as he delves into a rich sonic palette. It is a jazz album that feels like a musical journey through a dreamscape, where each track is a different chapter in an unfolding story. The album opens with the melodic title track, “Awakening," which sets a serene yet powerful tone with ...

Album Review

Hans Luchs: Time Never Pauses

Read "Time Never Pauses" reviewed by Budd Kopman

by Budd Kopman
April 10, 2016

While it does not scream downtown, avant-garde, uber originality, guitarist Hans Luchs debut recording, Time Never Pauses, is far from a vanilla, “jazz as style" offering, and, in fact has much going for it. For one thing, his band, consisting of drummer George Fludas, bassist Clark Sommers, pianist Stu Mindeman and Shaun Johnson on trumpet is extremely tight, precise and, in many spots, smoking. Luchs does not dominate the session, and is part of the rhythm section for ...

Album Review

Hans Luchs: Time Never Pauses

Read "Time Never Pauses" reviewed by C. Michael Bailey

by C. Michael Bailey
October 1, 2015

Chicago-based guitarist Hans Luchs draws more from the recent than far past. More John Abercrombie and John Scofield than Wes Montgomery or Grant Green. His debut recording Time Never Pauses is a collection of eight original compositions and two transformed standards reveals the continued refining of modern jazz composition well past the head-solo section-head style of hard bop and the liquid freedom of post bop into pure composition. “Der Lumenmeister," the album opener is labyrinthian in both ...

Album Review

Hans Luchs: Time Never Pauses

Read "Time Never Pauses" reviewed by Jack Bowers

by Jack Bowers
September 23, 2015

Not much can be said about Hans Luchs aside from the fact that he lives in Chicago, looks to be fairly young and plays an intense, assertive and agile guitar on Time Never Pauses, which, incidentally, is Luchs' recorded debut as leader of his own group. Luchs is also a writer who composed eight of the album's ten selections (the others are Duke Ellington's “Come Sunday" and Cole Porter's “Get Out of Town") and arranged all of them.