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Jazz Articles about Greg Tardy


About Greg Tardy

9

Album Review

Nadav Remez: Summit

Read "Summit" reviewed by Carl Medsker

by Carl Medsker

Israeli-born guitarist Nadav Remez has been accruing the compositions on Summit for 20 years, sharpening them in live performances until hitting critical mass. The program, comprised of Remez originals along with rearranged traditional songs, blends jazz, indie rock and Jewish folk music into a fresh and energetic experience. The melodies are memorable, the meters and harmonies artfully varied and the playing passionate. Remez's roots extend back to the Thelma Yellin High School for the Arts, which has produced ...

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11

Liner Notes

Altin Sencalar: Unleashed

Read "Altin Sencalar: Unleashed" reviewed by C. Andrew Hovan

by C. Andrew Hovan

Often overshadowed by other solo instruments, the trombone boasts a rich history in jazz--one so vast it could fill volumes. New Orleans, the birthplace of jazz, also gave rise to Kid Ory, a pioneer of the “tailgate" style of trombone playing. In the early 1900s, bandleaders often promoted their shows by parading through town on horse-drawn wagons. Trombonists, needing space to extend their instrument's slide, would sit at the back on the open tailgate, projecting their bold, brassy sound into ...

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7

Liner Notes

Altin Sencalar: Unleashed

Read "Altin Sencalar: Unleashed" reviewed by Altin Sencalar

by Altin Sencalar

Unleashed is an album that captures my overall headspace as an individual. This year I turned 30 years old and welcomed my firstborn child into the world, John Altin Sencalar. Two major milestones in any person's life, but especially mine this year. Unleashed represents my playing, my personality, and my overall attitude towards my career development. When thinking about this album, I take many chances that I would not have done in the past specifically playing the trombone in an ...

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1

Album Review

Andrew Hill Sextet Plus 10: A Beautiful Day, Revisited

Read "A Beautiful Day, Revisited" reviewed by Alberto Bazzurro

by Alberto Bazzurro

Registrato dal vivo al Birdland dal 24 al 26 gennaio 2002, il materiale di questo doppio CD (nonché doppio vinile) raggiunge oggi i quasi 83 minuti di durata, aggiungendo, rispetto all'edizione originaria uscita pochi mesi dopo il concerto, un'alternate take inedita del brano che intitola l'album e una versione ampliata di “11/8," riposizionando nel contempo i nove brani complessivi in quanto a “ordine di apparizione." Ne vien fuori un'opera che possiamo tranquillamente definire monumentale, anche proprio per la ...

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22

Album Review

Andrew Hill Sextet Plus Ten: A Beautiful Day, Revisited

Read "A Beautiful Day, Revisited" reviewed by Dan McClenaghan

by Dan McClenaghan

The heyday of pianist Andrew Hill (1931-2007) happened during his hang with Blue Note Records, where he released ten albums between 1963 and 1970, including 1964's Black Fire, a splendid quartet session featuring saxophonist Joe Henderson; 1964's Point Of Departure), that featured a freewheeling sextet that included Henderson, multiple reedist Eric Dolphy and trumpeter Kenny Dorham; to Passing Ships (1969), with an exuberant multi-horn group that included trumpeter Woody Shaw, trombonist Julian Priester and flutist Joe Farrell. For those with ...

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30

Album Review

Domas Žeromskas: Meditations on Providence and Perseverance, Vol. 1

Read "Meditations on Providence and Perseverance, Vol. 1" reviewed by Neil Duggan

by Neil Duggan

Domas Žeromskas is a Lithuanian pianist and composer living in Boston. For his debut album, Infinite Itinerant (Vinilo Studija, 2019), he collaborated with numerous musicians from his home country. Subsequently, he worked with musicians such as Tom Scott and Jacques Schwarz-Bart before forming his trio with drummer Héctor L. Falu Guzmán and bassist Ian Quinton Banno. This trio forms the musical backbone of Meditations on Providence and Perseverance Vol. 1. Žeromskas takes the chemistry of his trio and ...

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Album Review

Margherita Fava: Tatatu

Read "Tatatu" reviewed by Neri Pollastri

by Neri Pollastri

Ventottenne veneta di formazione classica, la pianista Margherita Fava è stata fulminata dal jazz nel 2013, quasi per caso, e da allora ha coltivato la sua formazione in quella direzione, trasferendosi negli U.S.A. prima con una borsa di studio, poi stabilmente, insegnando. Ed è negli Stati Uniti, nell'Ohio, che ha registrato questo suo primo disco, prodotto dal bassista Rodney Whitaker, poi missato a New York ed edito in Italia da Caligola. I tre quarti d'ora di musica di ...

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