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Ryan Truesdell: Shades of Sound
by Angelo Leonardi
Shades of Sound costituisce il secondo volume del Gil Evans Project di Ryan Truesdell, inciso dal vivo al Jazz Standard di New York. Data d'incisione e organico sono gli stessi di Lines of Color, il primo volume registrato dal 13 al 18 maggio 2014 con una formazione di 23 musicisti più il leader, scelti tra i solisti più brillanti di New York: i sassofonisti Donny McCaslin, Dave Pietro, Steve Wilson, i trombettisti Mat Jodrell e Greg Gisbert, i trombonisti Ryan ...
Continue ReadingRyan Truesdell / Gil Evans Project: Shades Of Sound
by Jack Kenny
Shades of Sound is not about Ryan Truesdell recreating the past. There are excellent reasons to listen to recreations of the music of Gil Evans. As critic Bill Mathieu wrote of Evans, “The mind reels at the intricacy of his orchestral and developmental techniques. His scores are so careful, so formally well-constructed, so mindful of tradition that you feel the originals should be preserved under glass in a Florentine museum" (Mathieu in Max Harrison, Jazz Profiles, 2011). Evans ...
Continue ReadingRyan Truesdell: Shades Of Sound
by Pierre Giroux
Ryan Truesdell's Shades of Sounds: Gil Evans Project Live at Jazz Standard Vol. 2 is a triumphant continuation of his lovingly curated Gil Evans Project--a musical venture focusing on both preservation and revelation. With this latest volume, Truesdell guides us through Evans' well-known sonic landscape and deeper into the vaults, unearthing four never-before-recorded arrangements that offer a renewed understanding of the composer's nuanced brilliance. Truesdell's decision to record live at Jazz Standard is both philosophical and ...
Continue ReadingBen Markley: Ari's Funhouse
by Angelo Leonardi
Accade spesso nel jazz che dagli incontri estemporanei nascano le cose migliori. Il bandleader e arrangiatore Ben Markley e il batterista Ari Hoenig si sono conosciuti nel 2019 in un jazz festival del Texas. Da quell'incontro è nato questo progetto discografico, che ha visto Markley orchestrare le composizioni di Hoenig per la big band che guida a Denver. Il batterista è ospite dell'ensemble e dà il suo contributo con un vivace e articolato sostegno ritmico. L'album è stato registrato nel ...
Continue ReadingJoe Chambers: Moving Pictures Orchestra: Live at Dizzy's Club Coca-Cola
by John Kelman
It's one thing to have an established `place in the jazz pantheon, another to continue redefining that position, long after others might be content to rest on their laurels. Joe Chambers' work behind the drum kit with artists including Andrew Hill, Bobby Hutcherson, Wayne Shorter, Freddie Hubbard, Charles Mingus, and McCoy Tyner has already ensured a prominent place in jazz history. His output as a leader may be small, but he's delivered two outstanding Savant recordings in 2006's The Outlaw ...
Continue ReadingBen Markley Big Band: Ari's Funhouse
by Jack Bowers
Ari's Funhouse, recorded in July 2021, sprang from a chance encounter at a Texas jazz festival in 2019 between New York-based drummer & composer Ari Hoenig and Denver-based pianist & arranger Ben Markley. After performing with Hoenig in a small group, Markley asked if he might score some of Hoenig's songs for a big band. Hoenig readily agreed, and after a lengthy Covid-induced pause, he and Markley's band finally met face-to-face in Denver to record the album. Two things are ...
Continue ReadingSouth Florida Jazz Orchestra: Cheap Thrills: The Music Of Rick Margitza
by Jack Bowers
In 2019, the acclaimed Michigan-bred, Paris-based tenor saxophonist Rick Margitza thought he was being asked to contribute a couple of charts to the University of South Florida Jazz Orchestra's fifth recording in its fifteen-year history as a working ensemble. But when SFJO founder and leader Chuck Bergeron looked at the charts he had an even better idea, and asked Margitza to write and / or arrange everything on the album, which thus became Cheap Thrills: The Music of Rick Margitza. ...
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