Jazz Articles about Gerald Clayton

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Matt Slocum: Portraits

by AAJ Italy Staff
March 18, 2010

Otto composizioni originali sotto il segno del classico trio pianoforte-basso-batteria allargato ad uno o più sax. È l'impalcatura del buon esordio discografico di Matt Slocum, che non passerà inosservato nell'attuale panorama jazzistico. Vi si riscontra un apprezzabile gioco di dinamiche all'interno delle varie composizioni, che traggono altresì forza nella concezione ritmica aperta e circolare del leader, più che promettente allievo di Peter Erskine. Oltre che per la scelta felice dei compagni di viaggio, la sua proposta si rivela valida ed ...

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Gerald Clayton: Two-Shade

by Ken Dryden
October 10, 2009

Gerald Clayton isn't like the average young jazz musician. He was immersed in music studies for a long time (his teachers include Kenny Barron, Billy Childs and Shelly Berg), while gaining experience playing duo piano concerts with Barron, Benny Green and Mulgrew Miller and also performing as a sideman with the legendary Clark Terry. If that's not enough, he has recorded more than once with the Clayton Brothers (co-led by father John and uncle Jeff) and contributed as pianist and ...

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Roberta Gambarini: Easy To Love

by Michael Caratti
September 5, 2007

This debut outing from Roberta Gambarini sees the Italian-born jazz vocalist pair up with two star-studded rhythm sections and legendary tenor saxophonist James Moody, to present what has to be one of the best vocal jazz albums of the decade.

Opening with Cole Porter's classic title track Gambarini's exquisite tone and masterful rhythmic phrasing are immediately on display in the first a capella section. The gradual addition of bass and brushes does little to prepare you for what happens next, ...

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Roberta Gambarini: Easy To Love

by Suzanne Lorge
August 10, 2006

If Roberta Gambarini had chosen to pursue opera we might be seeing her at the Met instead of in the world's top jazz clubs, so exquisite is the natural lyricism of her voice and her technical mastery of its use. Absent from her performance are the blatant shifts in registration, dicey intonation, and questionable diction that are often stereotypically associated -- rightly or wrongly -- with jazz singing. But a jazz singer Gambarini is, and a fantastic one at that.

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Roberta Gambarini: Easy To Love

by Victor L. Schermer
July 4, 2006

I first heard vocalist Roberta Gambarini perform a few years ago at the Jazz Standard in New York, soon after she arrived in America from Italy. It was clear even then that she had star potential and, as expected, she has now begun to take her place among the jazz greats, with nowhere to go but over the top. This debut CD is long overdue.Gambarini has thorough command of a pure, clear soprano voice, perfect pitch, and a ...

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Roberta Gambarini: Easy To Love

by Roger Crane
June 23, 2006

With all due caution about overstatement, let me say that I don't know of a better pure jazz vocalist than Roberta Gambarini. She shows us all that the art of jazz singing is alive and well. During the past few years she has become almost a cult figure, thrilling live international audiences, becoming the subject of enthusiastic discussions on various internet jazz chat forums, and being hailed by numerous insiders as perhaps today's finest young jazz singer. Gambarini is now ...