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Maria Schneider: Data Lords
by Doug Hall
Maria Schneider, jazz pianist, orchestral composer and 2019 NEA Jazz Master, has just released a new double-album, Data Lords (artistShare, 2020), which creates poignant musical imagery about our data-driven world. Schneider, who has been an active advocate for musicians' rights and copyright, has followed-on this impact, citing big data" companies as manipulators of music, culture and privacy. This collection of uniquely and emotionally rendered original compositions addresses the conflicting relationships between the digital and natural worlds, featuring Schneider's orchestra of ...
Continue ReadingMaria Schneider Orchestra: Data Lords
by Karl Ackermann
The skillfully designed cover art tells part of the story; a leaf--half as nature intended--the remainder, a circuit board doppelganger. The pastoral soundscapes associated with the music of Grammy-winning composer/bandleader Maria Schneider belie her activist alter-ego. An outspoken critic of copyright protections, prejudicial revenue schemes and the abuses of big data," Schneider has authored op-eds and testified before the US Congress. She ventures onto unfamiliar terrain, coalescing her passions on a masterwork double album, Data Lords. The two ...
Continue ReadingGeorge Flynn & Katherine Hughes: Together
by Jim Santella
On this aptly titled disc, the chamber music duo of George Flynn and Katherine Hughes provides its audience with an hour of melodramatic adventure. Moods change, the pace runs through varying climates, and both instrumentalists interpret with clarity. The three suites were recorded in Chicago: in 1992, 1995 and 2005. Flynn and Hughes' lasting musical relationship has given both artists the freedom to express themselves on a personal level without regard to outside influences, pouring music directly from the heart.
Continue ReadingGeorge Flynn: Trinity
by Glenn Astarita
Chicago based composer/pianist George Flynn flexes quite a bit of muscle throughout the solo piano performances contained within this 2-Disc set, as the pieces titled, “Kabal” and “Wound” were originally issued in 1987 on LP format for the Atlantic Records subsidiary, “Finnadar Records”. Flynn, who holds the - Chair of Music at DePaul University’s School of Music - authored the compositions which comprise Trinity between 1968 and 1993, while the pianist consummated the project in 1999.
At times, these solo ...
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