Jazz Articles about Eric Dolphy
Charles Mingus: At Antibes 1960 Revisited
by Chris May
Charles Mingus' exhilarating blend of roots and the avant-garde only rarely seems as binary* (see below) as it does on this recording from the 1960 Antibes Jazz Festival. Most often on a Mingus album, you do not hear the joins. This time, on one level, you do. Mingus leads a pianoless quintet completed by Booker Ervin on tenor saxophone, Eric Dolphy on alto saxophone and bass clarinet, Ted Curson on trumpet and Dannie Richmond on drums. Bud Powell ...
read moreJohn Coltrane: Evenings At The Village Gate
by Mike Jurkovic
All music is, as are all our greater gestures and pursuits--poetry, painting, literature, sculpture, dance--spiritual by nature. An outreach by the artist and thus, by extension, us, beyond the daily argot of the ordinary. But sometimes those instances are so far and in-between, so masked by the lawlessness of the present moment, that our higher selves are forgotten, or worse, denied. And sometimes the music is downright holy. Welcome to the church known as the Village Gate. Welcome ...
read moreJohn Coltrane: Evenings At The Village Gate
by Chris May
It is important to emphasize, at the outset of this review, that Evenings At The Village Gate is a John Coltrane album of headline significance. Recorded during a four- week run at the New York City club in August and September 1961, the disc is a snapshot of Coltrane partway through the most momentous year of his development. He is in incandescent form from start to finish, leading an astounding sextet completed by multi-reedist Eric Dolphy, pianist McCoy Tyner, twin ...
read moreEric Dolphy: Outward Bound To Out To Lunch Revisited
by John Eyles
Ask any jazz aficionado for their favourite jazz albums of the '60s and the chances are that, alongside such decade-defining choices as Jimmy Giuffre's Free Fall (Columbia, 1963), John Coltrane's A Love Supreme (Impulse, 1965), Andrew Hill's Point of Departure (Blue Note, 1965) and Albert Ayler's Spiritual Unity (ESP, 1965), they will select Eric Dolphy's Out to Lunch (Blue Note, 1964). Now the Dolphy classic has been reissued on Ezz-thetics alongside one of his older recordings, Outward Bound (Prestige, 1964), ...
read moreGeorge Russell: Ezz-thetics & The Stratus Seekers revisited
by Maurizio Comandini
George Russell è uno dei pilastri sui quali si è costruito il jazz moderno degli ultimi 70 anni. Forse non è uno dei primi nomi che ci vengono in mente, ma di sicuro il suo contributo come compositore, come band leader, come musicologo, è fondamentale. Nei primi anni sessanta i suoi album fornirono una interessante variante al free jazz 'classico' che abitualmente associamo ad Ornette Coleman, ad Albert Ayler, a Cecil Taylor e a tanti altri. Russell preferiva ...
read moreTension: Riesling meets Eric Dolphy
by Kristen Lee Sergeant
Welcome back to the second season of “Jazz & Juice!" Last week, I published something called the Tasting Spiral as a bonus podcast/post. It's a great way to visualize wine tasting and is in keeping with our journey together. You can check it out on the website here if you're curious! Onto the first adventure of our season... TensionThe word tension comes from a root meaning “to stretch." The best literal examples of tension in application are musical--an ...
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