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Instrument: Band / ensemble / orchestra
Elephant9: Mythical River

by Chris May
Although Elephant9's plugged-in lineage includes the usual suspects--Miles Davis' electric bands and Soft Machine--the Norwegian organ trio's tap root is unmistakably planted in the work of the late British musician Keith Emerson, keyboards player with the Nice in the late 1960s and Emerson Lake & Palmer from 1970. For his own snarling jazz-rock oeuvre, Emerson's favoured keyboard was the Hammond L-100. He loved it so much that onstage he liked to plunge a hunting knife between its keys to produce ...
Continue ReadingElephant9: Atlantis

by John Kelman
Ever a collective, Elephant9's Atlantis represents the Norwegian power trio's most egalitarian outing yet. 2008's Dodovoodoo and 2010's Walk the Nile were, for the most part, dominated compositionally by keyboardist and Supersilent/Humcrush coconspirator Ståle Storløkken. Atlantis is more evenly split between Storløkken's four tracks to bassist Nikolai Hængsle Eilertsen's three, but most importantly demonstrates a continued evolution away from Elephant9's early touchstone--American drummer Tony Williams' influential Lifetime--towards ear-shattering, progressive rock-leaning, improv-heavy space rock, a fusion rendered even more nuclear by ...
Continue ReadingElephant9: Walk the Nile

by John Kelman
After a debut making it to more than one critic's best of" list for 2008, Elephant9 returns with Walk the Nile. If Dodovoodoo demonstrated this keyboard power trio's affiliation for Tony Williams' late-1960s Lifetime and early Weather Report, mixed with a bit of progressive rock-era Keith Emerson, then Walk the Nile steps a tad further away from its core influences, further evolving Elephant9's definitive voice.Keyboardist Ståle Storløkken's career has been on an upward trajectory since the mid-1990s and ...
Continue ReadingElephant9: Live at the BBC

by John Kelman
Despite the re-emergence of vinyl as a once-again acceptable medium, it's still bigger in some countries than others. In Norway, there are now labels that are releasing vinyl-only editions, including the intrepid Rune Grammofon, which introduced its The Last Record Company a couple years back, with limited-run albums including guitarist Stian Westerhus' Galore (2009) and equally experimental vocalist Maja S.K. Ratkje's Cyborgic (2009). Elephant9's Live at the BBC, on Rune's main imprint, is somewhat more modest--lacking TLRC's 16-page art booklets ...
Continue ReadingElephant9: Walk the Nile

by AAJ Italy Staff
Implacabile. Elephant9 è un trio che non lascia scampo. L'intensità che sprigiona, il magma incandescente che fuoriesce senza soluzione di continuità, l'esasperazione come fattore primario, sono i cardini di un'estetica che non ammette i se, i forse, i ma. O la si condivide, aprendo le orecchie ad un ascolto scevro da preconcetti, o la si rifiuta in blocco senza possibilità d'appello. La presenza ingombrante dell'organo hammond è lontana parente dei classici organ-trio targati Blue Note e si discosta parecchio anche ...
Continue ReadingElephant9: DodoVoodoo

by John Kelman
As a member of groundbreaking noise improvisors Supersilent, whose 8 (Rune Grammofon, 2007) was one of last year's best, co-conspirator with percussionist Thomas Strønen in Humcrush (Rune Grammofon, 2004), co-op member of Transatlantic electronic improv group Box with its debut Studio 1 Rune Grammofon, 2008) and guest on the tranquil stasis of Supersilent mate/trumpeter Arve Henriksen's Strjon (Rune Grammofon, 2007), keyboardist Ståle Storløkken may be the closest thing Rune Grammofon has to a house keyboardist. But as distinctive as he's ...
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