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About Eddie Gomez

40

Album Review

Steve Gadd, Eddie Gomez, Ronnie Cuber, WDR Big Band: Center Stage

Read "Center Stage" reviewed by Jack Bowers


Mixed emotions must underline this review. Center Stage, featuring bassist Eddie Gomez, drummer Steve Gadd and baritone saxophonist Ronnie Cuber with Germany's superb WDR Big Band conducted by Michael Abene, was recorded in Cologne in January and February 2022. Sadly, Ronnie Cuber passed away in October, shortly after the album was released. If this was Cuber's last hurrah, it thunders loudly above the rooftops, as his solos (on each of the album's nine numbers) and melodic passages ...

12

Album Review

Bill Evans: You Must Believe In Spring (Hybrid SACD)

Read "You Must Believe In Spring (Hybrid SACD)" reviewed by Doug Collette


The quietude with which “B Minor Waltz (For Ellaine)" opens You Must Believe In Spring belies the hearty homage this release constitutes in recognition of the title's forty-fifth anniversary. As a means of righteous and deserving tribute to his seventieth studio album, the late Bill Evans' debut for the Warner Bros. label is enhanced in a number of ways. First and foremost is the sonic upgrade for hybrid-SACD (as well as the vinyl LP configuration). Using the Plangent ...

Album Review

Bill Evans: Behind The Dikes – The 1969 Netherlands Recordings

Read "Behind The Dikes – The 1969 Netherlands Recordings" reviewed by Stefano Merighi


Gli inediti di Bill Evans cominciano a tracimare in questi anni. E se qualcuno si chiedesse se valga la pena ascoltare anche questo recente Behind the Dikes (doppio CD che documenta concerti in studio in Olanda nel 1969), risponderei di andare subito alla versione di “'Round Midnight" per dissipare ogni dubbio. Evans trasfigura il classico monkiano, modificandone il carattere delle singole sezioni, e lo fa proprio in una inedita fluidità di esecuzione, offrendo una straordinaria vetrina al basso di Eddie ...

7

Album Review

Bill Evans: Morning Glory

Read "Morning Glory" reviewed by Jim Worsley


1973 was a time of political volatility and unrest. Argentina's former President Juan Peron was returning to the country after many years in exile. The controversy brought emotions to the surface and created a dangerous environment. Just what three jazz cats didn't need to hear as they made their way to Buenos Aires for a concert. There is an unwritten code of understanding, however, that musicians and athletes are to walk freely. They are artists after all, often considered above ...

11

Album Review

Charles Mingus & Joni Mitchell: Jivin' with Joni: The Lost Recordings 1978-1979

Read "Jivin' with Joni: The Lost Recordings 1978-1979" reviewed by Mike Jurkovic


Looks like a bumper month of archival releases awaits the ever ready Mingus aficionado. First, in late April, 2022, Resonance Records unleashes The Lost Album from Ronnie Scott's. Just in time for Record Store Day (April 23) Candid Records releases a sweetly remastered Charles Mingus Presents Charles Mingus. Now, in a joint announcement from Jazz Workshop Inc. and Rhino Records to celebrate the big man's centennial (April 22) comes Jivin' with Joni: The Lost Recordings, 1978-1979. Recorded just ...

36

Album Review

Igor Butman: Only Now

Read "Only Now" reviewed by Jack Bowers


Tenor saxophonist Igor Butman, born in Leningrad (now St. Petersburg), Russia, is one of a number of jazz musicians from Europe and Asia whose love for the music was nourished by nightly broadcasts from the Voice of America. Since emigrating to America in 1987 (he holds dual citizenship), Butman's virtuosity has been recognized by enthusiasts up to and including former president Bill Clinton who has called Butman “my favorite living saxophonist." Wynton Marsalis--in whose Lincoln Center Jazz Orchestra Butman appeared ...

28

Album Review

Bill Evans: Everybody Still Digs Bill Evans: A Career Retrospective (1956 - 1980)

Read "Everybody Still Digs Bill Evans: A Career Retrospective (1956 - 1980)" reviewed by Chris May


Only occasionally do classy looking limited-edition box sets prove to be a triumph of style and substance. Too often they are undermined by cheapskate packaging, over elaborate design, poorly written and researched booklets, inadequate session details or, most egregiously, bizarre (in a bad way) track selections. So it is a more than pleasant surprise when something comes along which succeeds, and succeeds magnificently, on all those fronts. Such an item is Concord Records' Craft imprint's Everybody Still Digs Bill Evans: ...


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