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Bill Evans: Morning Glory
by Jim Worsley
1973 was a time of political volatility and unrest. Argentina's former President Juan Peron was returning to the country after many years in exile. The controversy brought emotions to the surface and created a dangerous environment. Just what three jazz cats didn't need to hear as they made their way to Buenos Aires for a concert. There is an unwritten code of understanding, however, that musicians and athletes are to walk freely. They are artists after all, often considered above ...
Continue ReadingCharles Mingus & Joni Mitchell: Jivin' with Joni: The Lost Recordings 1978-1979
by Mike Jurkovic
Looks like a bumper month of archival releases awaits the ever ready Mingus aficionado. First, in late April, 2022, Resonance Records unleashes The Lost Album from Ronnie Scott's. Just in time for Record Store Day (April 23) Candid Records releases a sweetly remastered Charles Mingus Presents Charles Mingus. Now, in a joint announcement from Jazz Workshop Inc. and Rhino Records to celebrate the big man's centennial (April 22) comes Jivin' with Joni: The Lost Recordings, 1978-1979. Recorded just ...
Continue ReadingIgor Butman: Only Now
by Jack Bowers
Tenor saxophonist Igor Butman, born in Leningrad (now St. Petersburg), Russia, is one of a number of jazz musicians from Europe and Asia whose love for the music was nourished by nightly broadcasts from the Voice of America. Since emigrating to America in 1987 (he holds dual citizenship), Butman's virtuosity has been recognized by enthusiasts up to and including former president Bill Clinton who has called Butman “my favorite living saxophonist." Wynton Marsalis--in whose Lincoln Center Jazz Orchestra Butman appeared ...
Continue ReadingBill Evans: Everybody Still Digs Bill Evans: A Career Retrospective (1956 - 1980)
by Chris May
Only occasionally do classy looking limited-edition box sets prove to be a triumph of style and substance. Too often they are undermined by cheapskate packaging, over elaborate design, poorly written and researched booklets, inadequate session details or, most egregiously, bizarre (in a bad way) track selections. So it is a more than pleasant surprise when something comes along which succeeds, and succeeds magnificently, on all those fronts. Such an item is Concord Records' Craft imprint's Everybody Still Digs Bill Evans: ...
Continue ReadingBill Evans: Behind The Dikes – The 1969 Netherlands Recordings
by Dan McClenaghan
Zev Feldman, co-president of Resonance Records, seems to have made it his life's mission to present every unreleased note that pianist Bill Evans ever recorded. Live At Art D'Lugoff's Top Of The Gate (2012), Some Other Time (2016), Another Time: The Hilversum Concert (2017), Evans In England (2019) and Live At Ronnie Scott's (2020) represent the Bill Evans discography on the Resonance Records label, all produced by Feldman. And now 2021 finds Feldman teaming with the Elemental Music label, to ...
Continue ReadingBill Evans: Hey Bill, It's Paul From Abbey Road
by Mike Jurkovic
Hot after the release of Bill Evans Live at Ronnie Scott's (2020), Resonance Records and the Estate of Bill Evans announced an extraordinary find, now in the final stages of being prepped as a two-disc set entitled Hey Bill, It's Paul from Abbey Road. Recorded off the cuff as a sort of mic-set-up time before the session started, McCartney, a natural instrumentalist in the middle of the four who were recording the defiant White Album, two releases are ...
Continue ReadingBill Evans: Live at Ronnie Scott's
by Mike Jurkovic
Bill Evans was always at home onstage. Live at Ronnie Scott's, Resonance Records' fifth Bill Evans archival offering, hits the same high marks as its predecessors--2012's standard bearer Live at Art D'Lugoff's Top of The Gate , 2016's Some Other Time: The Lost Session From the Black Forest, 2018's Another Time and 2019's Evans In England--majestically did. Do not let the dreaded tape hiss limit your listening. Recorded in '68, during a month-long residency at you-know-where, Evans--with the ...
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