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Igor Butman: Only Now
by Jack Bowers
Tenor saxophonist Igor Butman, born in Leningrad (now St. Petersburg), Russia, is one of a number of jazz musicians from Europe and Asia whose love for the music was nourished by nightly broadcasts from the Voice of America. Since emigrating to America in 1987 (he holds dual citizenship), Butman's virtuosity has been recognized by enthusiasts up to and including former president Bill Clinton who has called Butman “my favorite living saxophonist." Wynton Marsalis--in whose Lincoln Center Jazz Orchestra Butman appeared ...
read moreBill Evans: Everybody Still Digs Bill Evans: A Career Retrospective (1956 - 1980)
by Chris May
Only occasionally do classy looking limited-edition box sets prove to be a triumph of style and substance. Too often they are undermined by cheapskate packaging, over elaborate design, poorly written and researched booklets, inadequate session details or, most egregiously, bizarre (in a bad way) track selections. So it is a more than pleasant surprise when something comes along which succeeds, and succeeds magnificently, on all those fronts. Such an item is Concord Records' Craft imprint's Everybody Still Digs Bill Evans: ...
read moreBill Evans: Behind The Dikes – The 1969 Netherlands Recordings
by Dan McClenaghan
Zev Feldman, co-president of Resonance Records, seems to have made it his life's mission to present every unreleased note that pianist Bill Evans ever recorded. Live At Art D'Lugoff's Top Of The Gate (2012), Some Other Time (2016), Another Time: The Hilversum Concert (2017), Evans In England (2019) and Live At Ronnie Scott's (2020) represent the Bill Evans discography on the Resonance Records label, all produced by Feldman. And now 2021 finds Feldman teaming with the Elemental Music label, to ...
read moreBill Evans: Hey Bill, It's Paul From Abbey Road
by Mike Jurkovic
Hot after the release of Bill Evans Live at Ronnie Scott's (2020), Resonance Records and the Estate of Bill Evans announced an extraordinary find, now in the final stages of being prepped as a two-disc set entitled Hey Bill, It's Paul from Abbey Road. Recorded off the cuff as a sort of mic-set-up time before the session started, McCartney, a natural instrumentalist in the middle of the four who were recording the defiant White Album, two releases are ...
read moreBill Evans: Live at Ronnie Scott's
by Mike Jurkovic
Bill Evans was always at home onstage. Live at Ronnie Scott's, Resonance Records' fifth Bill Evans archival offering, hits the same high marks as its predecessors--2012's standard bearer Live at Art D'Lugoff's Top of The Gate , 2016's Some Other Time: The Lost Session From the Black Forest, 2018's Another Time and 2019's Evans In England--majestically did. Do not let the dreaded tape hiss limit your listening. Recorded in '68, during a month-long residency at you-know-where, Evans--with the ...
read moreBill Evans: Bill Evans Live at Ronnie Scott's
by Stefano Merighi
Dobbiamo ringraziare la determinazione e la perseveranza di Zev Feldman, inesausto ricercatore di perle musicali dei grandi del jazz, pubblicate con fierezza dalla Resonance Records. Lo scavo assiduo riguarda in particolare Bill Evans, del quale sono già comparsi alcuni dischi con concerti inediti, cui si aggiunge questo Live at Ronnie Scott's che documenta esibizioni nel celebre club londinese del luglio 1968, quando per un breve periodo il trio di Evans era composto da Eddie Gomez e Jack DeJohnette.
read moreBill Evans: Bill Evans Live at Ronnie Scott's
by Pierre Giroux
The emergence of Bill Evans as one of the jazz world's preeminent pianists was propelled by a unmistakeable style: a pensive note striking with harmonic transpositions resulting in unique voicings. This 1968 recording marks the fifth collaboration between Resonance Records and the Bill Evans Estate to bring previously unreleased material into the public domain. This 2xLP limited edition in a gatefold sleeve was co-produced by Zev Feldman of Resonance and Jack DeJohnette and was beautifully mastered by Bernie Grundman. This ...
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