Home » Jazz Articles » Duke Ellington And His Orchestra

Jazz Articles about Duke Ellington And His Orchestra

4
Album Review

Duke Ellington And His Orchestra: The Treasury Shows Vol. 17

Read "The Treasury Shows Vol. 17" reviewed by Chris Mosey


Don Lowe's exultant cry, “Here he is, and in person, the Duke himself!" kicks off the 17th of the Duke Ellington Treasury Show radio broadcasts, part of a massive reissue project by the Danish Storyville label. Anxious to show how hip, perhaps even hep, he is, the American Broadcasting Corporation announcer goes on to introduce “C-Jam Blues" as a number that's “really here to stay, but solid." In contrast, Ellington behaves with quiet dignity, ...

448
Album Review

Duke Ellington: Far East Suite

Read "Far East Suite" reviewed by Kurt Gottschalk


Duke Ellington's Far East Suite has never enjoyed the accolades lauded upon some of the Maestro's other major works. Black, Brown and Beige and Such Sweet Thunder are in the Ellington canon; Far East, it seems, was left behind.That may be due to its dated Orientalism. It was recorded in 1966, a strange few years when jazz was looking to other cultures for inspiration but not embracing ethnic traditions the way it would in the coming decades (witness, ...

174
Album Review

Duke Ellington: Masterpieces By Ellington

Read "Masterpieces By Ellington" reviewed by C. Michael Bailey


Two Hundred Fifty-Plus Words on Ellington, Part I.Columbia Records waited until the end of 1950 before recording directly to tape, enabling pieces longer that the biblical three minutes to be recorded. All of this, in spite of the fact that long playing records debuted two years previously. This occasion was the first time in Ellington’s 25-year recording history that the maestro was able to slough off the 78-rpm format and record what he and his band played in ...

320
Album Review

Duke Ellington: Ellington At Newport 1956 (Complete)

Read "Ellington At Newport 1956 (Complete)" reviewed by C. Michael Bailey


Eating Crow in the Snow These very words sprung from this critic's mouth: “Miles Davis was more important to American Music than Duke Ellington." Nothing could be further from the truth. Both men are important, essential artists to read about and listen to if one desires to understand American Music, specifically, Jazz. But my previous statement was foolhardy hero-worship. Within the electrons of this magazine space, I have my “Desert Island" top ten recordings. One of these is Ellington At ...


Engage

Contest Giveaways
Enter our latest contest giveaway sponsored by Musicians Performance Trust Fund
Polls & Surveys
Vote for your favorite musicians and participate in our brief surveys.

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.