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Tina Brooks Quintet: The Complete Recordings
by Chris May
Mosaic Records' spring 2020 release The Complete Hank Mobley Blue Note Sessions 1963-70, the second of the label's box sets devoted to the copiously recorded (and rightly so) Hank Mobley, prompts thoughts of another of Blue Note's singular hard-bop tenor saxophone stylists. Unlike Mobley, Tina Brooks was woefully under-recorded, making just four albums under his own name. But like Mobley, Brooks had an instantly recognisable sound, was a spellbinding soloist and was also a gifted composer. In addition to his ...
Continue ReadingGene Ammons: Boss Tenor
by Matthew Aquiline
Tenor saxophonist Gene Ammons' tone can be best described using the qualities of an ideally brewed cup of joe: rounded, bold, smooth, and exhilarating after first taste. Widely regarded as an original founder of the “Chicago school of tenor sax," Ammons' nonchalant, yet indelible sound--echoing the soft, breathy tone of Lester Young--drove him to a great deal of fame within the post- World War II jazz crowds of the '50s. Ammons, famously nicknamed “Jug," had an inherent ability ...
Continue ReadingGene Ammons: Boss Tenor
by Douglas Payne
This relaxed, swinging quintet session from 1960 isn't the landmark that many of the other releases in this series are. But it is among the finest, most rewarding music tenor great Gene Ammons (1925-74) ever made. Boss Tenor -- easily confused with Boss Tenors , the 1961 Verve record Ammons cut with Sonny Stitt -- is probably included here due to Ammons's enduring and unprecedented affiliation with Prestige. Ammons recorded over 50 albums for the label from 1950, around the ...
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