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Donny McCaslin: In Pursuit
by John Kelman
In the follow-up to his critically acclaimed Soar (Sunnyside, 2006), saxophonist Donny McCaslin continues to evolve his interest in blending advanced jazz harmony and improvisation with world music in general, and the rhythms of Latin and South America in particular. But while Soar's core quintet expanded to a nine-piece at times, here it remains intact, with the addition of producer/altoist David Binney creating a consistent sextet that forges an even stronger group identity.
It's also an album composed entirely by ...
Continue ReadingDonny McCaslin: Give & Go
by Tom Greenland
Proust, Faulkner and Joyce: all wrote in protracted sentences that challenge the reader's mettle. Donny McCaslin is one such improviser, creating melodic lines that seem to stretch out and out and out, yet, through rigorous internal logic, never lose the thread of the narrative nor rankle the listener with overblown verbosity. Give and Go is McCaslin's fourth album as a leader and his first on Criss Cross, coming hot on the high-heels of his Grammy-nominated work on ...
Continue ReadingDonny McCaslin: Close to the Spirit
by Paul Olson
California-born, New York-based saxophonist Donny McCaslin has become an overnight sensation. Except that he's not--he's been playing tenor (as well as other reeds and flute) with all sorts of heavyweights for years, including Gary Burton, Mike Manieri's Steps Ahead, Brian Blade and Danilo Pérez. McCaslin was a co-founder of the collaborative band Lan Xang; the other members, Dave Binney, Scott Colley and Kenny Wollesen, are old friends and frequent collaborators. McCaslin is a member of the Maria ...
Continue ReadingDonny McCaslin: Give and Go
by John Kelman
If there's one label that's committed to defining the new mainstream, it's Criss Cross Jazz. Earlier recordings on Gerry Teekens' label weighed more heavily towards the standards repertoire, but recent releases by artists like guitarist Adam Rogers, trumpeter Alex Sipiagin and pianist Edward Simon have applied a more contemporary spin on acoustic jazz through a greater focus on original material. This writing, while rooted in tradition, often incorporates more complex and modernistic harmonic and rhythmic conceits, moving mainstream jazz into ...
Continue ReadingDonny McCaslin: Soar
by Paul Olson
Tenor player Donny McCaslin aims high on Soar and rather gloriously hits all his targets with this ambitious set of pieces of a decidedly Central and South American bent. McCaslin's other new" record, Give and Go (Criss Cross), was released in February. The two CDs couldn't be more different, though--while Give and Go was a comparatively stripped-down quintet set recorded in one day, Soar is an almost glossy behemoth recorded over several sessions and very definitely produced ...
Continue ReadingDonny McCaslin: Soar
by David Miller
With certain musicians play, you get the feeling that they're on a level above their peers. And what's more, it seems to come easy to them. Current saxophonists that fit this mould include Chris Potter, Joe Lovano and Kenny Garrett. Add Donny McCaslin to that list. As a neophyte to McCaslin's work, I was extremely impressed by Soar. His tone is forceful yet soothing, his ideas fresh, and his approach unique. As with his sometime cohort, pianist ...
Continue ReadingDonny McCaslin: On The Way Through
by Franz A. Matzner
Saxophonist and composer Donny McCaslin has already made his presence felt on the scene for some time. Playing with a wide variety of jazz's current talents, he has developed a truly distinct voice, both as player and writer. Dedicated to pushing jazz into new realms, McCaslin's voice has never been more clear and directed than on his latest release for Arabesque, The Way Through.
Recently, it was my privilege to speak with Mr. McCaslin about his latest album ...
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