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Jazz Articles about Dena DeRose

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Radio & Podcasts

It Might Be You in the Dark - Celebrating Dave Grusin and Big Bill Broonzy

Read "It Might Be You in the Dark - Celebrating Dave Grusin and Big Bill Broonzy" reviewed by Mary Foster Conklin


The end of June broadcast included a new single from trombonist and vocalist Aubrey Logan with Hagelslag, plus new releases from the Vanessa Perica Orchestra, with birthday shoutouts to vocalists Madeline Eastman, Tierney Sutton and Gillian Margot, composer and pianist Dave Grusin, harpist Brandee Younger and bluesman Big Bill Broonzy. Playlist Rachel Z “Artemisia" from Room of One's Own (NYC Music) 00:00 Madeline Eastman “Pent Up House" from Can You Hear Me Now? (Mad-Kat Records) 06:32 Cathy Segal-Garcia ...

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Album Review

Dena DeRose: United

Read "United" reviewed by C. Andrew Hovan


Loathe as one might be to admit it, there are far too many singers today who consider themselves jazz vocalists. The fact of the matter is it is far too easy to scat a few lines, come up with some nouveau riche lyrics, and press your album at 45 rpm than to really function as a vital musician that also happens to vocalize. Herein rests the problem, often abetted by the hype that only the media can do far too ...

289
Album Review

Dena DeRose: Live at Jazz Standard Volume Two

Read "Live at Jazz Standard Volume Two" reviewed by Donald Elfman


This is the kind of series that could last forever--pianist Dena DeRose seems to have an endless supply of well- and little-known tunes from the collected songbooks and both the music and performances are timeless. The second set from the same evening that produced Volume One (MAXJAZZ, 2007), this has the same in-the-moment sense of place and, what sounds like a contradiction in terms, a recorded spontaneity. This trio--with DeRose's ever so natural yet seasoned singing and ...

1
Album Review

Dena DeRose - Marvin Stamm: The Nearness of Two

Read "The Nearness of Two" reviewed by AAJ Italy Staff


Ecco una di quelle incisioni in cui i musicisi si sono trovati ad affrontare un concerto improvvisando non solo dal punto di vista musicale ma anche da quello organizzativo. Lei, la pianista Dena DeRose arriva al concerto direttamente dal Portogallo, mentre lui, il trombettista Marvin Stamm, viene in treno da Roma dove aveva tenuto un corso. I due suonano per la prima volta insieme ed il luogo di incontro è Ancona, dove il concerto viene registrato in modo molto professionale. ...

170
Album Review

Dena DeRose: Live at The Jazz Standard, Volume One

Read "Live at The Jazz Standard, Volume One" reviewed by Donald Elfman


Dena DeRose continues to dazzle in the simplest ways--she's a gifted and accomplished pianist, vocalist, composer and arranger but there's not a speck of self-importance or pretension as she joyously makes her way through new and old tunes. Her voice has the timbre and range of an Anita O'Day but there's a fresh, clear-headed quality here that speaks of self-confidence. Bassist Martin Wind and drummer Matt Wilson play in the trio of pianist Bill Mays, and bring that same level ...

207
Album Review

Dena DeRose: Live at The Jazz Standard, Volume One

Read "Live at The Jazz Standard, Volume One" reviewed by C. Michael Bailey


Pianist/vocalist Dena DeRose debuted on MaxJazz in 2005 with her well received A Walk in the Park. Now the label has put her into an appropriate live setting in New York City's Jazz Standard with bassist Martin Wind, uber-drummer Matt Wilson (both on A Walk in the Park), and NYC mainstay saxophonist Joel Frahm blowing through for one selection.

Dena DeRose is the member of a Jazz Senate comprised of musicians who are both pianists and vocalists. This ...

123
Album Review

Dena DeRose: A Walk in the Park

Read "A Walk in the Park" reviewed by Jim Santella


Dena DeRose sings with emotion and musical accuracy. Her trio's sense of swing makes A Walk in the Park sparkle with hip inclinations that revel in their rhythmic delivery. While the album is moody for the most part, there's a deep feeling attached to this session. DeRose sings from the heart.

Breathy and hesitant, her vocal delivery takes hold of a slower ballad and allows it to linger. In several places this quality becomes tiresome. The singer/pianist is ...


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