Home » Jazz Articles » Album Review » Dena DeRose: A Walk in the Park
Dena DeRose: A Walk in the Park
Breathy and hesitant, her vocal delivery takes hold of a slower ballad and allows it to linger. In several places this quality becomes tiresome. The singer/pianist is much better when she's animated, which fortunately is true of most of the session.
Wordless vocal interludes in unison with her up-tempo piano forays recall the magic formula that Tania Maria has developed into a science. With these exciting passages, DeRose moves animatedly to the beat of her trio's heart while appearing spontaneous.
"Imagine" provides a loping scene where the singer has an opportunity to build her interpretation from cool and distant to something more passionate. She prefers, however, to leave it that way. Cole Porter would call it blasé. She adds Moog synthesizer on the trio's portrayal of "I Concentrate on You," which starts out split between the left and right channels. As the sounds come together, her Moog effects color the scene with a light contemporary air. The result is unique, but remains cool and distant.
Her composition "A Walk in the Park" provides a lovely musical stroll that emphasizes the trio's swinging appearance. Serving as the album's high point, this instrumental number bounces gracefully with fresh keyboard attacks that drive spontaneously. DeRose and her two musical partners give her audience an effective dose of straight-ahead jazz talk, done up with respect for tradition.
Track Listing
1. Meditation; 2. All My Love; 3. How Deep Is The Ocean; 4. Home (With You); 5. All The Way; 6. The Lonely Ones; 7. In The Glow Of The Moon; 8. Imagine; 9. A Walk In The Park (With James); 10. I Could've Told You; 11. I Concentrate On You.
Personnel
Dena DeRose
piano and vocalsDena DeRose--Vocals, Piano; Martin Wind--Bass; Matt Wilson--Drums.
Album information
Title: A Walk in the Park | Year Released: 2005 | Record Label: MAXJAZZ
About Dena DeRose
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







