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Jazz Articles about Dave Holland

440
Album Review

Bill Frisell with Dave Holland and Elvin Jones: Bill Frisell with Dave Holland and Elvin Jones

Read "Bill Frisell with Dave Holland and Elvin Jones" reviewed by Glenn Astarita


The mere fact that legendary drummer, Elvin Jones, and bassist Dave Holland are backing guitarist, Bill Frisell makes for an interesting proposition. However, those familiar with Jones and Holland should be aware of their respective faculties as artists who have performed with the creme de al creme of jazz, as their resumes and legacies are well documented. With this release, the rhythm sections' charter is seemingly fabricated upon delving into the leader's musical mindset, and highly individualistic style.

On the ...

225
Album Review

Dave Holland Quintet: Not For Nothin'

Read "Not For Nothin'" reviewed by AAJ Staff


Usually, records led by bassists rely on a rock-solid rhythm section. Not For Nothin', Dave Holland's latest quintet effort, certainly presents no exception to this rule. However, the magic behind this disc comes from the fact that every musician plays in the rhythm section at times, and every player also contributes to melody and harmony as well. It's a rare, organic integration of roles. And the pieces fit together very nicely.

Dave Holland has been all the way through the ...

276
Album Review

Dave Holland Quintet: Not For Nothin'

Read "Not For Nothin'" reviewed by Mark Corroto


Drawing a musical map clarifies the lineage of bands and places them in history. Dave Holland’s Quintet can be traced directly to Miles Davis’ ‘second great quintet’ of Davis/Shorter/Carter/Hancock/Williams. In 1968, Holland, then a young bassist of 21 years, was playing with former Miles Davis pianist Bill Evans and future Davis drummer Jack DeJohnette. Miles asked him to replace the departing Ron Carter. Holland’s tenure with Miles (and Evans) bridged both post-bop modal music and jazz-fusion. He later left Miles ...

341
Album Review

Dave Holland Quintet: Not For Nothin'

Read "Not For Nothin'" reviewed by AAJ Staff


Usually, records led by bassists rely on a rock-solid rhythm section. Not For Nothin', Dave Holland's latest quintet effort, certainly presents no exception to this rule. However, the magic behind this disc comes from the fact that every musician plays in the rhythm section at times, and every player also contributes to melody and harmony as well. It's a rare, organic integration of roles. And the pieces fit together very nicely.

Dave Holland has been all the way through the ...

264
Album Review

Dave Holland Quintet: Not For Nothin'

Read "Not For Nothin'" reviewed by Mark Corroto


Drawing a musical map clarifies the lineage of bands and places them in history. Dave Holland’s Quintet can be traced directly to Miles Davis’ ‘second great quintet’ of Davis/Shorter/Carter/Hancock/Williams. In 1968, Holland, then a young bassist of 21 years, was playing with former Miles Davis pianist Bill Evans and future Davis drummer Jack DeJohnette. Miles asked him to replace the departing Ron Carter. Holland’s tenure with Miles (and Evans) bridged both post-bop modal music and jazz-fusion. He later left Miles ...

386
Album Review

Miles Davis: The Complete In A Silent Way Sessions

Read "The Complete In A Silent Way Sessions" reviewed by Jim Santella


Three previously unissued performances and six months of Miles Davis' recording activity mark this 3-CD set as something special. This was a transitional time for the bandleader. It marked the beginning of a fusion. The package documents this period very well. Davis wanted a new sound. With several keyboards and significant changes in personnel, he got it. The trumpeter introduced his musical changes gradually. The more radical shift would come later. These sessions are pleasant and full of intrigue. In ...

271
Album Review

Stan Getz: My Foolish Heart "Live" at the Left Bank

Read "My Foolish Heart "Live" at the Left Bank" reviewed by Matthew S. Robinson


Opening with a snappy “Invitation," this newly-found home recording shows off what producer Joel Dorn calls “prime Getz." Rodgers and Hart’s “Spring is Here" wafts and splashes through a fragrant rain chilled by Jack DeJohnette’s shivery brush work, but Jack sharpens the tempo for Chick Corea’s “Litha," sparking Stan and Richie Beirach to burning life. This is not another “Desafinado" compilation. This is Getz cookin’ it up with a team of name’ players. Dave Holland’s bouncy upright runs are electric ...


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