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Dave Holland: Pathways
by David Adler
Bassist Dave Holland's main creative vehicle has long been the Dave Holland Quintet, but in recent years he's launched a number of other groups, tweaking and expanding instrumentation while preserving something of the quintet's signature sound. On Pathways, recorded live at Birdland in 2009, Holland takes another detour with the Dave Holland Octet, which splits the difference between his quintet and big band in terms of size, texture and orchestrated thrust. Incidentally, Holland switched from ECM Records ...
Continue ReadingDave Holland Octet: Pathways
by John Kelman
Dave Holland Octet Pathways Dare2 Records 2010
It's been nearly four years since bassist Dave Holland has delivered an album based around his enduring quintet of over a decade. Since 2006's Critical Mass (Dare2), he's released Pass It On (Dare2, 2008) and The Monterey Quartet: Live at the 2007 Monterey Jazz Festival (Monterey Jazz Festival Records, 2009), both featuring ensembles where, for the first time in his lengthy career, the bassist collaborated ...
Continue ReadingDave Holland / Gonzalo Rubalcaba / Chris Potter / Eric Harland: The Monterey Quartet: Live at the 2007 Monterey Jazz Festival
by Mark Corroto
Supergroups thrown together for jazz festivals are, as a general rule, a disappointment. The chemistry of a regular working unit is usually missing, and they tend to resort to theme-solo-theme" weariness. Not so when the supergroup is made up of dedicated composers and listeners such as The Monterey Quartet, assembled on the occasion of Monterey's 50th anniversary celebration concerts in 2007.
Bassist Dave Holland, together with two familiar players--Chris Potter and Eric Harland--are joined by the Cuban pianist ...
Continue ReadingDave Holland / Gonzalo Rubalcaba / Chris Potter / Eric Harland: The Monterey Quartet: Live at the 2007 Monterey Jazz Festival
by John Kelman
A bonus of festival work is the opportunity to recruit musicians for new collaborations. It doesn't always work, but sometimes it does, and when Monterey Jazz Festival Records' General Manager Jason Olaine worked with Vision Arts manager Louise Holland to bring together bass icon Dave Holland, saxophonist Chris Potter, drummer Eric Harland and pianist Gonzalo Rubalcaba, it seemed like a match made in heaven.
It was. The Monterey Quartet: Live at the 2007 Monterey Jazz Festival, ...
Continue ReadingDave Holland / Gonzalo Rubalcaba / Chris Potter / Eric Harland: The Monterey Quartet: Live at the 2007 Monterey Jazz Festival
by Mark F. Turner
The Monterey Jazz Festival has an ongoing rich history of great performances: Louis Armstrong (1958), Miles Davis (1963), Tito Puente & His Orchestra (1977), Shirley Horn (1994) and many others. MJF's 50th anniversary celebration in 2007 continued that honored tradition of swing, resulting in Terence Blanchard's Grammy Award for Best Jazz Instrumental Solo with his performance on Dizzy Gillespie's classic Be-Bop" by the MJF 50th Anniversary All-Stars. At that same festival, another group of all-stars--the quartet extraordinare featuring bassist Dave ...
Continue ReadingDave Holland: Consistently Exceptional
by R.J. DeLuke
This interview, originally published on September 29, 2008, is being reprinted to coincide with the summer 2009 tour of The Monterey Quartet featuring bassist Dave Holland, saxophonist Chris Potter, pianist Gonzalo Rubalcaba and drummer Eric Harland. The group's live album, Live at the 2007 Jazz Festival (Concord, 2009), will be released on August 25. It's been a long time since Dave Holland's small hands strummed a ukulele at about the age of five, an endeavor that eventually led ...
Continue ReadingDave Holland: Pass It On
by Jeff Stockton
Following in the bandleading tradition of Charles Mingus and serving as a composing role model for younger players such as Christian McBride and Adam Lane, Dave Holland tinkers with his highly regarded quintet and expands it to a sextet on Pass It On. There’s something about bass players that make them the best jazz composers and Holland applies fresh voices to newly realized arrangements of past compositions, as well as some brand new ones making their debut.
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