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Jazz Articles about Chris Biesterfeldt


About Chris Biesterfeldt

Album Review

Chris Biesterfeldt: Phineas

Read "Phineas" reviewed by Angelo Leonardi

by Angelo Leonardi

Un virtuoso come Chris Biesterfeldt non poteva che essere attratto da Phineas Newborn Jr., il pianista che sul finire degli anni cinquanta emerse come l'erede di Art Tatum e Oscar Peterson ma uscì presto di scena per problemi di salute mentale. Nato ad Asheville nel North Carolina ma residente a New York dal 1994, Biesterfeldt ha insegnato per molti anni alla New York University e oggi collabora con la Collective School of Music di Manhattan. ...

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5

Album Review

Chris Biesterfeldt: Urban Mandolin

Read "Urban Mandolin" reviewed by C. Michael Bailey

by C. Michael Bailey

Bluegrass instruments like the mandolin, banjo, and fiddle have long been associated genres outside of the high lonesome. This instrumentation has also permeated the jazz and classical worlds as evidenced by the lifetimes of David Grisman, Chris Thile, Bela Fleck, Vassar Clements, Joe Venuti, Bob Wills and on and on. Mandolinist Chris Biesterfeldt places himself in a traditional jazz trio sans the piano and pushes the perimeter of mandolin-centered musical styles well beyond just jazz, though the better part of ...

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5

Album Review

Chris Biesterfeldt: Urban Mandolin

Read "Urban Mandolin" reviewed by Jack Bowers

by Jack Bowers

A mandolin player opening his first album as leader with Dizzy Gillespie's mercurial “Bebop"? Wow! That takes a lot of (fill in the blank). But Chris Biesterfeldt, best known as a guitarist, and for Broadway shows at that, not only sails through those tricky changes but handily nails everything else on this impressive trio album whose other protagonists are bassist Adam Armstrong and drummer Eric Halvorson. The mandolin, not exactly a guitar but somewhere in the neighborhood, ...

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