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About Chick Corea

3

Extended Analysis

Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3

Read "Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3" reviewed by Maurizio Comandini

by Maurizio Comandini

Finalmente la Sony Legacy pubblica ufficialmente e integralmente i quattro concerti del gruppo di Miles Davis al Fillmore East, mitico teatro posto più o meno all'incrocio fra la Sesta Strada Est e la Seconda Avenue a New York, nell'East Village. Era la metà del mese di giugno del 1970, il capolavoro Bitches Brew era stato pubblicato da pochi mesi e il gruppo era in forma straordinaria, a cominciare dal leader. In realtà, questi concerti erano stati immediatamente ...

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16

Live Review

Chick Corea At Town Hall

Read "Chick Corea At Town Hall" reviewed by Mike Perciaccante

by Mike Perciaccante

Chick Corea Town Hall New York, NY April 10, 2014 With the coronation of rock's royalty taking place a mere six miles across town in Brooklyn at “The House That Jay Z Built" (The Barclays Center), one of jazz' princes took the stage at Manhattan's Town Hall. Chick Corea's solo piano performance was an intimate and spectacular evening comprised of stories, solo piano improvisations and his extraordinary versions of some of the best loved entries ...

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27

Extended Analysis

Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3

Read "Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3" reviewed by John Kelman

by John Kelman

By the time Bitches Brew (Columbia) was released in April, 1970—and despite receiving a 5-star review in Downbeat Magazine—trumpeter Miles Davis was already under fire from mainstream jazz critics as having “sold out," despite the densely constructed, improvisationally unfettered music being as unapproachable to an audience looking for accessible music as anything he'd done with his increasingly liberated second great quintet of the 1960s. Sure, there were rock rhythms and, perhaps more disturbingly to the delicate ears of its detractors, ...

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15

Extended Analysis

Miles Davis: In a Silent Way

Read "Miles Davis: In a Silent Way" reviewed by Nenad Georgievski

by Nenad Georgievski

"Miles' audience isn't where it used to be but neither is his music" was used to market the new releases of Miles Davis' indefatigably changing music in the late 60's that caused seismic shifts in the world of jazz and completely had redirected it into new and fresh territories. In a career that stretched five decades Miles Davis did more than just become a star--this enigmatic 20th century icon fused an astonishing array of different musical styles, refused to be ...

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17

Extended Analysis

Chick Corea: The Vigil

Read "Chick Corea: The Vigil" reviewed by John Kelman

by John Kelman

While he's never come close to falling out of the spotlight, there's little denying Chick Corea's two Return to Forever reunion tours and resultant live recordings of the past half decade have been two of the keyboard star's most eagerly anticipated events, considerably raising both his visibility and viability. That The Vigil--the name of both his new group and its much-anticipated debut recording--has been garnering even greater buzz only means that there's a whole lot to live up to.

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6

Live Review

44 Voll-Damm Festival Internacional de Jazz de Barcelona: 'L'Oeil de l'Elephant' y Chick Corea Trio

Read "44 Voll-Damm Festival Internacional de Jazz de Barcelona: 'L'Oeil de l'Elephant' y Chick Corea Trio" reviewed by Enrique Turpin

by Enrique Turpin

L'Oeil de L'Éléphant44º Voll-Damm Festival Internacional de Jazz de BarcelonaInstitut Français29 de noviembre de 2013Para muchos habrá sido el concierto del Festival (con permiso del ofrecido por Christian Scott), para otros el de la temporada, y unos y otros llevarán razón. El esperado aterrizaje del proyecto L'Oeil de L'Éléphant llegó por fin a tierras barcelonesas. Un fotoconcierto para combo y Leica que se convirtió en una experiencia memorable, de esas que uno no se harta ...

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4

Live Review

Chick Corea and Gary Burton: Burlington, VT, October 19, 2012

Read "Chick Corea and Gary Burton: Burlington, VT, October 19, 2012" reviewed by Doug Collette

by Doug Collette

Chick Corea and Gary Burton with the Harlem String QuartetFlynn Center for the Performing ArtsBurlington, VTOctober 19, 2012The sound itself was absolutely sublime as it emanated from the instruments of pianist Chick Corea and vibraphonist Gary Burton on October 19, 2012 at The Flynn Center in Burlington, Vermont. The ringing clarity of the notes pealing from Corea was perfectly in proportion to the warm glowing flow of sound as it arose from Burton. During those ...

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