Jazz Articles about Carlos Henriquez

About Carlos Henriquez

Album Review

Carlos Henriquez: Monk Con Clave

Read "Monk Con Clave" reviewed by Pierre Giroux

by Pierre Giroux
June 6, 2026

Carlos Henriquez has long understood that rhythm tells stories long before words arrive. On Monk Con Clave, he takes Thelonious Monk's angular brilliance and brings it back to the streets, dance halls, and other crowded spaces across New York's Afro-Caribbean neighbourhoods. The result is not merely a tribute album but a living dialogue between Monk's genius and Henriquez's Nuyorican identity. Leading his self-named big band, Henriquez has assembled a remarkable multigenerational ensemble featuring musicians from the Jazz at ...

Album Review

Chano Domínguez, Ethan Margolis: The Blues Around Us

Read "The Blues Around Us" reviewed by Neil Duggan

by Neil Duggan
October 3, 2025

The outstanding Spanish pianist Chano Dominguez is renowned for his interpretive style and his ability to navigate the complexities of both flamenco and jazz, weaving both together to form a unique soundscape. Guitarist Ethan Margolis, from Cleveland, Ohio, is steeped in similar traditions, having a strong flamenco and Romany influence on his playing from spending 11 years in Spain. The pair met initially in 2016, with their album, The Blues Around Us, enjoying an eight-year gestation. On many ...

Album Review

Glenn Close & Ted Nash: Transformation

Read "Transformation" reviewed by Paul Rauch

by Paul Rauch
May 19, 2021

Transformation is a multi-disciplinary work from saxophonist/composer Ted Nash, and iconic actress Glenn Close, exploring the multi-faceted and abstract theme of transformation. The works included examine the theme from both universal and individual conceptions. Music and literature at its best is clearly transformative for anyone experiencing it. Transformation is by essence, the highest and most illuminating expression of change. Nash embraced the project by creating a colorful and illustrative collection of pieces, embracing Close's curated literary selections recited by the ...

Album Review

Glenn Close/Ted Nash: Transformation

Read "Transformation" reviewed by Jack Bowers

by Jack Bowers
April 19, 2021

When confronted by an album whose tracks include the names “Creation" (Parts 1 and 2), “Preludes for Memnon," “Wisdom of the Humanities" and “Reaching the Tropopause," among others, one braces for whatever may transpire, buoyed by the thought that with Glenn Close, Ted Nash and the Jazz at Lincoln Center Orchestra on board, how displeasing could it be? The verdict: not at all displeasing—but it must be appraised on its own terms, as a series of philosophical and hopefully transformative ...

Album Review

Jazz at Lincoln Center Orchestra Septet with Wynton Marsalis: The Democracy! Suite

Read "The Democracy! Suite" reviewed by Paul Rauch

by Paul Rauch
February 8, 2021

There is an interesting generational divide in perception when it comes to the music of Wynton Marsalis. While many hail his work at Lincoln Center as elevating jazz to its rightful place among the fine arts, others lament the separation from his iconic quartet and quintet work in the 1980's as some sort of jazz treason. What is unquestionable is his virtuosity and eloquence, expressing each note with beauty as the clear priority in his playing as a ...

Album Review

Carlos Henriquez: Dizzy Con Clave

Read "Dizzy Con Clave" reviewed by Angelo Leonardi

by Angelo Leonardi
June 7, 2019

Anche se l'incontro tra jazz e ritmi caraibici è presente fin dagli albori è stato Dizzy Gillespie negli anni quaranta a dare identità e popolarità al genere Afro-Cubano, integrando nel be-bop le musiche Mario Bauza e Machito. Questo tributo alle musiche del grande trombettista è stato inciso nel 2017, anno in cui s'è celebrato il Dizzy Gillespie Centennial. Carlos Henriquez, ventennale collaboratore di Wynton Marsalis, rilegge alcune celebri composizioni del trombettista con un ottetto stellare comprendente tra ...

Album Review

Carlos Henriquez: Dizzy Con Clave

Read "Dizzy Con Clave" reviewed by Dan Bilawsky

by Dan Bilawsky
March 2, 2019

In closing out the liner essay to this savory set recorded live at Dizzy's Club Coca-Cola, bassist Carlos Henriquez succinctly summarizes one of many important points worth noting about the legendary honoree: “Dizzy Gillespie is and always will be the American bridge to Afro-Cuban music," he states. But it need be noted that he doesn't just say this; he also backs it up. Henriquez shows us this truth through his stellar arrangements for what can only be described as an ...