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Jazz Articles about Carlos Henriquez
Chano Domínguez, Ethan Margolis: The Blues Around Us
by Neil Duggan
The outstanding Spanish pianist Chano Dominguez is renowned for his interpretive style and his ability to navigate the complexities of both flamenco and jazz, weaving both together to form a unique soundscape. Guitarist Ethan Margolis, from Cleveland, Ohio, is steeped in similar traditions, having a strong flamenco and Romany influence on his playing from spending 11 years in Spain. The pair met initially in 2016, with their album, The Blues Around Us, enjoying an eight-year gestation. On many ...
Continue ReadingGlenn Close & Ted Nash: Transformation
by Paul Rauch
Transformation is a multi-disciplinary work from saxophonist/composer Ted Nash, and iconic actress Glenn Close, exploring the multi-faceted and abstract theme of transformation. The works included examine the theme from both universal and individual conceptions. Music and literature at its best is clearly transformative for anyone experiencing it. Transformation is by essence, the highest and most illuminating expression of change. Nash embraced the project by creating a colorful and illustrative collection of pieces, embracing Close's curated literary selections recited by the ...
Continue ReadingGlenn Close/Ted Nash: Transformation
by Jack Bowers
When confronted by an album whose tracks include the names “Creation" (Parts 1 and 2), “Preludes for Memnon," “Wisdom of the Humanities" and “Reaching the Tropopause," among others, one braces for whatever may transpire, buoyed by the thought that with Glenn Close, Ted Nash and the Jazz at Lincoln Center Orchestra on board, how displeasing could it be? The verdict: not at all displeasing—but it must be appraised on its own terms, as a series of philosophical and hopefully transformative ...
Continue ReadingJazz at Lincoln Center Orchestra Septet with Wynton Marsalis: The Democracy! Suite
by Paul Rauch
There is an interesting generational divide in perception when it comes to the music of Wynton Marsalis. While many hail his work at Lincoln Center as elevating jazz to its rightful place among the fine arts, others lament the separation from his iconic quartet and quintet work in the 1980's as some sort of jazz treason. What is unquestionable is his virtuosity and eloquence, expressing each note with beauty as the clear priority in his playing as a ...
Continue ReadingCarlos Henriquez: Dizzy Con Clave
by Angelo Leonardi
Anche se l'incontro tra jazz e ritmi caraibici è presente fin dagli albori è stato Dizzy Gillespie negli anni quaranta a dare identità e popolarità al genere Afro-Cubano, integrando nel be-bop le musiche Mario Bauza e Machito. Questo tributo alle musiche del grande trombettista è stato inciso nel 2017, anno in cui s'è celebrato il Dizzy Gillespie Centennial. Carlos Henriquez, ventennale collaboratore di Wynton Marsalis, rilegge alcune celebri composizioni del trombettista con un ottetto stellare comprendente tra ...
Continue ReadingCarlos Henriquez: Dizzy Con Clave
by Dan Bilawsky
In closing out the liner essay to this savory set recorded live at Dizzy's Club Coca-Cola, bassist Carlos Henriquez succinctly summarizes one of many important points worth noting about the legendary honoree: “Dizzy Gillespie is and always will be the American bridge to Afro-Cuban music," he states. But it need be noted that he doesn't just say this; he also backs it up. Henriquez shows us this truth through his stellar arrangements for what can only be described as an ...
Continue ReadingCarlos Henriquez: The Bronx Pyramid
by James Nadal
A common attribute or quality that Latin musicians have is that they are innately connected and tuned into their cultural roots. As in the case of Carlos Henriquez, who holds the bass chair in the prestigious Jazz at Lincoln Center Orchestra. Though he performs straight ahead mainstream jazz at a high level with that collective, on his debut as leader The Bronx Pyramid, he goes deep into his Puerto Rican heritage combined with the amalgamated sounds of New York City. ...
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