Jazz Articles about Brandon Seabrook

About Brandon Seabrook

Album Review

Brandon Seabrook: Object of Unknown Function

Read "Object of Unknown Function" reviewed by Glenn Astarita

by Glenn Astarita
November 8, 2024

Brandon Seabrook's Object of Unknown Function feels like a sonic experiment gone rogue. In this album, Seabrook seems motivated by a desire to explore the liminal spaces between structured chaos and unstructured order, leaving listeners caught in the crosshairs. His fascination with avant- garde sounds, a hallmark of his work, reaches new heights here. One could argue that the album serves as an ode to the unpredictability of sound itself, challenging the listener to discard any preconceived notions of musical ...

Radio & Podcasts

Brandon Seabrook's Magic Clusterf**k Of Merciless Banjo Torture

by Lawrence Peryer
July 29, 2023

The Spotlight shines On guitarist and banjoist Brandon Seabrook, hot off the release of his new album brutalovechamp (Pyroclastic Records). Brandon is known for pushing his music past the far reaches of the extreme, fusing elements from punk, jazz, pop, and metal. His music has been called “abrasive" and “angular," with an intense focus on virtuosity. brutalovechamp covers new ground. With his octet, Epic Proportions, Brandon explores beauty, personal emotion and a lyricism not usually associated ...

Album Review

Ingrid Laubrock: The Last Quiet Place

Read "The Last Quiet Place" reviewed by Jerome Wilson

by Jerome Wilson
April 30, 2023

Saxophonist Ingrid Laubrock always seems to search out new instrumental configurations for her music. This time out, she and her musical and life partner, drummer Tom Rainey, collaborate with a quartet of accomplished string players, guitarist Brandon Seabrook, violinist Mazz Swift, cellist Tomeka Reid, and bassist Michael Formanek. Together they create stimulating music which can be many things. At different times it sounds formal, urgent, placid, and violent. “Afterglow" and “Anticipation" explore some of the classical possibilities of ...

Album Review

Ingrid Laubrock: The Last Quiet Place

Read "The Last Quiet Place" reviewed by Alberto Bazzurro

by Alberto Bazzurro
March 27, 2023

A tre anni e mezzo dalla sua incisione (settembre 2019), giunge all'ufficialità della pubblicazione questo notevole album della cinquantaduenne sassofonista tedesca Ingrid Laubrock, capace di regalarci una volta di più testimonianza eloquente del suo valore, come tutta una serie di collaborazioni quanto mai prestigiose e la sua stessa produzione discografica, abbondante ed esauriente, ci avevano detto con chiarezza di dettagli. Qui la stessa conformazione del sestetto protagonista del lavoro, con ben quattro strumenti a corde di cui ...

Album Review

Ingrid Laubrock: The Last Quiet Place

Read "The Last Quiet Place" reviewed by Troy Dostert

by Troy Dostert
March 21, 2023

When saxophonist Ingrid Laubrock finds herself in her comfort zone, it is typically in small group formations--often just duos or trios--which allow her unparalleled skills as an improviser to shine most brightly. However, listeners are always in for a special treat when she ventures out into less familiar terrain, especially with larger ensembles. On recordings such as Contemporary Chaos Practices (Intakt, 2018) or Dreamt Twice, Twice Dreamt (Intakt, 2020), Laubrock takes advantage of the opportunity to develop her ambitious compositional ...

Festivals Talking

Moers Festival Interviews: Brandon Seabrook

by Martin Longley
February 12, 2023

Brandon Seabrook cultivates a forked assault on the guitar and the banjo, amplifying both of them, and negotiating their strings at high speeds, filling his playing with hyper-detailed improvisations, or constructing complex compositional strategies, frequently referred to as 'riffs.' Seabrook has long been a crucial presence on the New York City scene, whether leading his own bands, or collaborating with a variegated host of artists on the jazz, rock and improvisational scenes. Often within the same unit. He's ...

Album Review

Tomas Fujiwara's Triple Double: March

by Jerome Wilson
April 4, 2022

This is the second release by drummer and vibraphonist Tomas Fujiwara's unique double trio with himself and Gerald Cleaver on drums, Mary Halvorson and Brandon Seabrook on guitar and Taylor Ho Bynum and Ralph Alessi on brass, a group that can be configured as two trios, three pairs of instruments or something in between. The sound of the resulting combinations can come out ambient or raucous, but tends towards an angular prog-jazz fusion sound, that can pack the punch of ...