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Jazz Articles about Brandi Disterheft
Anthony Wonsey: Lorraine's Lullabye

by Jack Bowers
As it takes a village" to raise a child, writes Anthony Wonsey, it also takes a village to raise a jazz pianist, and Lorraine's Lullabye is Wonsey's way of saying thank you" to many of those who have helped and nurtured him throughout his journey including New York educator and social worker Lorraine Tiezzi, the album's namesake. As we come into this world alone, cared for by our parents and others, so Wonsey begins the musical odyssey ...
Continue ReadingCharles Lloyd, Coleman Hawkins and Brandi Disterheft

by Joe Dimino
From a brilliant crop of young bassists on the New York City scene, we begin the 703rd Episode of Neon Jazz with My Foolish Heart" from Brandi Disterheft's Surfboard. We also hear from her mentor Ron Carter and a crop of the old guard and young lions. The great Charles Lloyd, Coleman Hawkins and Bennie Maupin represent a lot of history. The group of Joe Bowden, Chris Rottmayer and Chien Chien Lu represent the youth. Enjoy the jazz my friends. ...
Continue ReadingBrandi Disterheft: Blue Canvas

by Dan Bilawsky
A canvas is often viewed as a neutral starting point, but it needn't be so. Even a so-called blank" space can be suffused with certain color(s) before brushstrokes are ever applied, as Brandi Disterheft reminds us. Her fourth album is a trio date painted atop, around, over, and with the color blue. It's a work that uses various shades and hues of the titular color to form a connective design, or if you prefer, a loose theme, built with confident ...
Continue ReadingBrandi Disterheft: Gratitude

by Dan Bilawsky
Canada has had its fair share of fine female jazz exports over the past few decades: piano-vocal crossover star Diana Krall; trumpeter Ingrid Jensen and her equally fabulous saxophone playing sister, Christine Jensen; and pianist Renee Rosnes have all made their mark below the 49th parallel. With the release of Gratitude, bassist Brandi Disterheft is poised to join their ranks. The Vancouver-born bassist first garnered attention in Canada with her Juno Award-winning Debut (Superfran, 2007) and its ...
Continue ReadingBrandi Disterheft: Second Side

by Raul d'Gama Rose
The leap forward from Debut (Superfran Records, 2007) to Second Side is, quite literally, a significant one for Canadian-born bassist, Brandi Disterheft. Now enjoying herself immensely, the bassist appears to greet her emerging music with infinite self-assurance and unabashed style. Claiming spiritual (and therefore musical) ancestry from Charles Mingus, Disterheft plays with a rare muscularity, thrusting her bass into the spotlight and leading from the front. As a composer, she explores a myriad of metaphors and idioms as she documents ...
Continue ReadingBrandi Disterheft: Debut

by Raul d'Gama Rose
Brandi Disterheft Debut Superfran Records 2007
While the rest of the world was talking about Esperanza Spaulding another bassist has been busy making a quiet noise, in a voice all her own. Brandi Disterheft's mature bass playing--both pizzicato and arco--and her ability to write original material and arrange with a natural ear for the tones and textures of strings, brass and woodwinds speak volumes of lessons learned from--at least spiritually--the legendary Charles ...
Continue ReadingBrandi Disterheft: Debut

by Jerry D'Souza
Bassist Brandi Disterheft says that she was inspired by singer Björk to call her first recording Debut. The debt to Björk acknowledged, Disterheft comes into her own and shows why she has been creating a stir.
A native of Vancouver who began playing in her mother's band, Disterheft has come a long way. She has led her own band from the time she was nineteen, has played with top-notch Canadian musicians including saxophonists Mike Murley and Richard Underhill, and has ...
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