Jazz Articles about Brad Mehldau

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Brad Mehldau Trio: Day Is Done

by John Dworkin
October 7, 2005

More than any other artist, Brad Mehldau has tapped into today's jazz zeitgeist. Oft-times (maybe always), a cultural zeitgeist is difficult to define or encapsulate. But you know it when you see (hear) it: In walked Brad. That's part of the function, mystery, and beauty of Art. It gives form to what would otherwise be near impossible to express, releasing a certain type of inner pressure that builds up from an inability to explain oneself. His trio's new CD, Day ...

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Brad Mehldau Trio: Day Is Done

by Doug Collette
October 3, 2005

Brad Mehldau Trio Day Is Done Nonesuch Records 2005

Brad Mehldau is one of jazz's most talented and prolific artists. Through the course of his recording career, he has proved himself open to innovation (Largo) and reverential of tradition (the Art of the Trio series). He is a deeply thoughtful presence (see his liner notes to Elegiac Cycle), but also displays a healthy sense of humor (the inside photos to Places). All ...

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Brad Mehldau Trio: Day is Done

by John Kelman
September 21, 2005

Sometimes it's not a good idea to mess with a good thing. Pianist Brad Mehldau's trio has remained stable since emerging on the scene in the mid-1990s, giving it time to evolve and establish the kind of chemistry that's only possible with a long-term relationship. But as freshly innovative as albums including his five memorable Art of the Trio releases and last year's Anything Goes have been, the first seconds of Radiohead's “Knives Out"--which opens Mehldau's new trio disc, Day ...

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Brad Mehldau: Live in Tokyo

by Peter Aaron
January 8, 2005

Detractors of pianist Brad Mehldau say his notoriety is merely a case of arriving at the right the time, of simply being the most visible Bill Evans disciple to come along in thirty-five years. They sometimes add that despite Evans' obvious influence, Mehldau's style owes more to his own European classical background than the late genius's brand of tear-stained Tin Pan Alley melancholia. Not that Mehldau doesn't have an ear for a good, sad pop tune. Since ...

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Brad Mehldau: Live in Tokyo

by AAJ Staff
December 6, 2004

Far be it from me to judge a record by its slipcover, but the photo of Brad Mehldau gracing the jacket of the pianist's new solo CD, Live in Tokyo (arms crossed, head bowed, jet-black background) made my heart sink. For if the prodigiously talented Mehldau has a tragic flaw, it's the self-conscious preciousness that seeps into much of his work and this is a slipcover that just screams important. Still, hope springs eternal and, tossing aside that worrisome sleeve, ...

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Brad Mehldau's Artful Trio, Live

by R.J. DeLuke
November 4, 2004

Brad Mehldau continues to refine the art of the jazz trio and in doing so is establishing a cohesiveness and a personal language and sound with his working group that has become as identifiable as other great trios like Keith Jarrett's, or like the late, great Bill Evans sustained during his career.Whether one believes his trio stands among the ranks of masters like Jarrett, Evans or Hank Jones is a matter of personal taste. But music isn't about ranking. ...

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Brad Mehldau: Live in Tokyo

by Doug Collette
October 13, 2004

With boundless energy and seemingly endless imagination, Brad Mehldau has evolved into one of the most prolific jazz musicians in the world today. Little surprise then, that a little over six months after the latest release with his trio, we have another sterling piece of work, his first on his new label affiliation. Fans of his oeuvre are well acquainted with his live recordings both solo and in a group setting and some may miss the intricate interaction with drummer ...