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418

Album Review

Lee Morgan: The Gigolo

Read "The Gigolo" reviewed by Chris May

by Chris May

Hard bop's baddest trumpeter, Lee Morgan, may never quite have topped his iconic '63 masterpiece, The Sidewinder, but he came pretty damn close on a couple of occasions. The Gigolo is one of them, and it's been reissued as part of the ongoing Rudy Van Gelder remaster series. The album's menacing, visceral vibe has never sounded more powerful or engaging.

With The Sidewinder ringing cash registers across the US and Europe, there was a temptation for Morgan and Blue Note ...

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355

Album Review

Charles Lloyd/Billy Higgins: Which Way Is East

Read "Which Way Is East" reviewed by David Adler

by David Adler

“We got to keep workin’ on this music.” Four months before his death, drum shaman Billy Higgins spoke those words to Charles Lloyd. The two were in the midst of some of their final conversations, both verbal and musical. Higgins had been in and out of hospitals, battling liver failure, and he and Lloyd knew their time together was short. So they hunkered down in Montecito, California in January of 2001 to play. The resulting two-disc package, Which Way Is ...

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188

Album Review

Charles Lloyd/Billy Higgins: Which Way Is East

Read "Which Way Is East" reviewed by Mark Corroto

by Mark Corroto

Name your religion. Seriously, these days everyone from President “Dubya" to freedom fighters is wearing his or her religion on their sleeves. Why not jazz musicians?

And jazz musicians seem to “get it." The spiritual part, that is. From Coltrane to James Moody and Dizzy Gillespie—it’s all about the love supreme, if I can steal a title.

For drummer Billy Higgins and his long-time friend Charles Lloyd the big picture hovers close to this two-disc, ...

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175

Album Review

Charles Lloyd/Billy Higgins: Which Way Is East

Read "Which Way Is East" reviewed by Mark F. Turner

by Mark F. Turner

Which Way Is East documents a simply magical recording between two lifelong musicians and friends: saxophonist Charles Lloyd and drummer Billy Higgins. The recording is significant for a number of reasons. Besides the musical affinity the two musicians shared, a spiritual bond also permeated their music. Having collaborated many years on numerous projects their recent efforts on ECM with Voice In The Night, The Water is Wide, and Hyperion With Higgins, the newly released Which Way Is East would be ...

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384

Album Review

Charles Lloyd/Billy Higgins: Which Way Is East

Read "Which Way Is East" reviewed by John Kelman

by John Kelman

There has always been an inherent spiritual element in Charles Lloyd's work, but nowhere as overt as on Which Way is East , a series of duets recorded with drummer and, as it turns out, multi-instrumentalist Billy Higgins, who passed away only four months after these sessions were recorded. In the liner notes Higgins is quoted as saying, “Everybody got to go sometime. But it's a drag if I have to come back and do this all over again. I ...

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452

Album Review

Cedar Walton: Three Sundays In The Seventies

Read "Three Sundays In The Seventies" reviewed by AAJ Staff

by AAJ Staff

Label M launched its new enterprise with a stunning live and previously unreleased concert by Stan Getz at the Famous Ballroom in Baltimore. With more than 200 tapes recorded by Baltimore's Left Bank Jazz Society legally in its possession, the label continues to remaster and enhance the tapes from a home recorder that captured the spirit of the concerts. In some respects, the Society recorded during what has become a golden age for some of the greatest musicians in jazz.

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323

Album Review

Lee Morgan: Taru

Read "Taru" reviewed by Jim Santella

by Jim Santella

Just look at that rhythm section. One of the best in the business. The personnel on Lee Morgan’s 1980 album make this one valuable right from its opening bars. George Benson only appears on three tracks, but Morgan’s regular sidekick Bennie Maupin was in his prime. As was Morgan and the rhythm section. John Hicks, Reggie Workman and Billy Higgins each offer a unique sound while fitting Lee Morgan’s upbeat mold. Recorded February 15, 1968 but released in 1980, the ...

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