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Jazz Articles about Bill Stewart

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Liner Notes

Lage Lund: Idlewild

Read "Lage Lund: Idlewild" reviewed by C. Andrew Hovan


An open and revealing format for any artist, the jazz trio offers rewards on many levels. Left in veracious hands, there is a spacious pocket that can be filled by any number of rhythmic and harmonic ideas, not to mention a freedom in melodic phrases which don't have to be constrained by strict chordal structures. On the other hand, it is the mere vulnerability of the format that can challenge all but the most seasoned musicians. With its ...

6
Album Review

Vicente Archer: Short Stories

Read "Short Stories" reviewed by Mike Jurkovic


Bassist Vicente Archer may be a Grammy winner with a long grand vintage (Nicholas Payton, John Scofield, Kenny Garrett, Norah Jones) but he has not revealed his own particular harvest as he does on the amicable and resilient Short Stories. Accompanied on what is technically his debut, fellow Scofield and Payton alum, drummer Bill Stewart and ever curious pianist Gerald Clayton bring to these stories a captivating, unified narrative. The soft, insistent tannins of “Mirai" opens Short Stories ...

6
Liner Notes

Seamus Blake: Bellwether

Read "Seamus Blake: Bellwether" reviewed by C. Andrew Hovan


The music speaks for itself. This timeworn axiom has often served as a suggestion that there's an intangible aspect to music's universal language that is somehow beyond mere words. In some cases this may be true, but on the other hand, this outlook has occasionally in the past served as a viable excuse for justifying music of a somewhat dubious nature.In recently talking with saxophonist Seamus Blake by phone from Vancouver, it occurred to me that his “less ...

3
Album Review

Brian Charette: Jackpot

Read "Jackpot" reviewed by Pierre Giroux


In the tradition of some great Hammond organ players of the past, such as Jack McDuff, Melvin Rhyne, Don Patterson, Larry Young and Jimmy Smith, one leading practitioner on this instrument, Brian Charette, wanted to write some swinging and soulful bebop tunes which would honor the memory of these past greats. The musicians Charette chose to travel on this journey were steeped in this genre, tenor saxophonist Cory Weeds, funky guitarist Ed Cherry and the swinging drummer Bill Stewart. To ...

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Album Review

Larry Goldings/Peter Bernstein/Bill Stewart: Perpetual Pendulum

Read "Perpetual Pendulum" reviewed by Doug Collette


Keyboardist Larry Goldings, guitarist Peter Bernstein and drummer Bill Stewart have some history. It extends back to performing in clubs in the late Eighties and then, via decidedly circuitous routes, recording together as a threesome in the Nineties. It's a confluence of circumstance and talent that would continue through the three's appearances on a pair of the keyboardist's solo albums, Whatever It Takes (Warner Brothers, 1995) and Big Stuff (Warner Brothers, 1996), before Toy Tunes (Pirouette, 2017) overtly continued the ...

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Interview

Bill Stewart: Ain't No Funk In Iowa

Read "Bill Stewart: Ain't No Funk In Iowa" reviewed by Mike Brannon


This article was first published at All About Jazz in May 2002. Upon joining The John Scofield group in the mid '80s it seemed like drummer Bill Stewart just appeared out of nowhere. Of course, Scofield and Stewart did a number of tours and studio dates together while word got around about Stewart's unique sound and approach to the kit and music. More recently an extensive, high profile tour with Pat Metheny's trio project brought his name to ...

8
Album Review

Orrin Evans: The Magic of Now

Read "The Magic of Now" reviewed by C. Andrew Hovan


The pandemic brought with it a shift in sensibilities for many musicians as they navigated new and unfamiliar waters. There were pros and cons of all this activity, with many streaming events and weighty recording projects taking place. Few of the albums coming from that period speak with such authority and freshness as the set at hand. Pianist Evans assembled a trio with bassist Vicente Archer and drummer Bill Stewart back in 2014 for a festival performance and hoped to ...


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