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Danny Grissett: Travelogue
by David Weiner
On Travelogue, pianist Danny Grissett leads a trio through a rich set of performances distinguished by his evocative themes, diverse song structures, and lovely, dancing approach to the keyboard. Grissett's inventive and highly interactive bandmates are drummer Bill Stewart and bassist Vicente Archer. This is the trio's third Grissett-led outing, and Archer has accompanied the pianist on all seven of the recordings he's led. Grissett composed most of Travelogue's tracks. His tuneful compositions easily deliver on the promise ...
Continue ReadingBill Stewart, Nancy Kelly, Sharel Cassity, Hiromi and more
by Benjamin Boddie
Today's Music--Right Now! Fantastic music by, Bill Stewart, Steve Allee, Romain Pilon, Nancy Kelly, Sharel Cassity, James Zito, Reid Hoyson, Johnny O'Neal, José Luiz Martins, Renegade Queens, Hiromi, The Empress, Jon Bentley, John Ellis, Nnenna Freelon, Branford Marsalis, Altin Sencalar, Reginald Cyntje, Marianne Solivan, Silvano Monasterios, Phil Brown, Reggie Watkins, Lorraine Feather, and more. Playlist Bill Stewart “Mynah" from Live At The Village Vanguard (Criss Cross) 00:00 Steve Allee “Cookin' At The Kitchen" from Naptown Sound (Jazzville Records) ...
Continue ReadingGeorge Cables e Bill Stewart al Camera Jazz & Music Club di Bologna
by Libero Farnè
George Cables Quartet; Bill Stewart Trio Camera Jazz & Music Club Bologna 27 novembre e 13 dicembre 2024 Davvero atipico e sbilanciato il modo con cui è stato concepito il calendario del Bologna Jazz Festival 2024, che abbiamo già recensito nella sua parte preponderante. Per quanto riguarda la sua durata, il frontespizio del programma cartaceo portava genericamente “ottobre--novembre," ma altri due concerti si trovavano inseriti (fra l'altro ambedue con errori nell'indicazione della data) alla fine ...
Continue ReadingLage Lund: Idlewild
by C. Andrew Hovan
An open and revealing format for any artist, the jazz trio offers rewards on many levels. Left in veracious hands, there is a spacious pocket that can be filled by any number of rhythmic and harmonic ideas, not to mention a freedom in melodic phrases which don't have to be constrained by strict chordal structures. On the other hand, it is the mere vulnerability of the format that can challenge all but the most seasoned musicians. With its ...
Continue ReadingJohn Scofield: Uncle John's Band
by Mario Calvitti
Dopo la parentesi del primo disco realizzato in completa solitudine, il chitarrista John Scofield torna alla formazione per lui più abituale del trio, ma non lo stesso con cui aveva inciso Swallow Tales sempre per la label tedesca. Al posto di Steve Swallow troviamo infatti il contrabbassista Vicente Archer, mentre alla batteria siede nuovamente il fido Bill Stewart. È una nuova formazione per Scofield, anche se i tre insieme al pianista e organista Gerald Clayton avevano registrato Combo 66 nel ...
Continue ReadingJohn Scofield: Uncle John's Band
by Ian Patterson
John Scofield's entire oeuvre can be roughly divided into groove-based or straight-ahead recordings. Yet even in maximum groove propulsion, as on A Go Go (Verve, 1998), to cite one stellar example, Scofield's grounding in straight-ahead jazz is never far from the surface. On the flip side, his most conventional jazz is always rhythmically vital. Uncle John's Band, the guitarist's third ECM album as leader, following Swallow Tales (2020) and John Scofield (2022), falls squarely in the latter category. And it ...
Continue ReadingJohn Scofield: Uncle John's Band
by Neil Duggan
Phil Lesh, Grateful Dead's bassist for over 30 years, claimed their basic inspiration came from the musical unions he saw in the Miles Davis Quartet along with the John Coltrane Quartet from the early 1960s. John Scofield and Lesh have played together on many occasions. So perhaps it is no surprise that the Grateful Dead anthem, “Uncle John's Band," written by guitarist Jerry Garcia and lyricist Robert Hunter, originally released on their album, Workingman's Dead (Warner Bros. 1970), should serve ...
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