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Jazz Articles about Allan Mednard
Marta Sanchez: SAAM (Spanish American Art Museum)
by Alberto Bazzurro
La giovane pianista madrilena Marta Sanchez, ormai da tempo di stanza a New York, dirige in questo suo nuovo lavoro, inciso nel marzo 2021, un agguerrito quintetto con doppio sax che in un brano, “Marivi," si allarga a ottetto con l'ingresso di tromba (e che tromba: Ambrose Akinmusire), voce/chitarra e synth, dando sempre la precisa impressione di riuscire a dire ciò che sta nelle sue attuali corde. Il dialogo--l'interscambio--è per lo più fitto, vitale, ma sempre dall'alto ...
Continue ReadingMichael Blake: Combobulate
by Chris May
The instrumentation alone promises something out of the ordinary. Saxophone, two tubas, trumpet, trombone, drums. Then there are the musicians, luminaries of downtown New York jazz. Michael Blake, Bob Stewart, Marcus Rojas, Steven Bernstein, Clark Gayton, Allan Mednard. And within seconds of the needle descending on track one, side one, Combobulate starts delivering on the promise. The album is one of four marking the return of audiophile-vinyl label Newvelle after a two-year hiatus. The approximate meaning of its ...
Continue ReadingThe Relay: The Relay
by Dan Bilawsky
Artistic cooperation and cohesion are evident from the first notes of The Relay's eponymous debut. With saxophonist Dan Pratt's “Four for," the composer and pianist Michael Eckroth— this quartet's co-leaders—sync up with a bright and fragmented melody line which seeds overlapping solos that sprout when bassist Matt Clohesy and drummer Allan Mednard enter the picture. Referencing a collective chemistry in both sound and name, that engaging opener sets the stage for a program that's pure magic. The ...
Continue ReadingJeremy Pelt: Soundtrack
by Jack Bowers
Although Soundtrack is the name of trumpeter Jeremy Pelt's latest album (more about that in a moment), there is another selection that more readily summarizes Pelt's lyric philosophy: “I Love Music." And while there is ample contrast, camaraderie and color on the album, there is no doubt that Pelt's clear and creative commentaries are the focal point. As for that title, “Soundtrack" is simply the name of a twenty-year-old ballad written for but never recorded by one of Pelt's earlier ...
Continue ReadingAlternative Guitar Summit: Honoring Pat Martino, Volume 1
by Jack Bowers
Each year the Alternative Guitar Summit, led by Joel Harrison, presents a concert to honor a living jazz composer/guitarist. That wasn't possible in 2021, however, as venues in and around New York City were shuttered tight by the Covid-19 pandemic. Meanwhile, it was clear that the chosen honoree, the great Pat Martino, was gravely ill and might not have another year to live. With that in mind, members of the Summit took their guitars straight to a studio to record ...
Continue ReadingBen Allison: Moments Inside
by Angelo Leonardi
Delizioso. Le sempre cantabili composizioni di Ben Allison, i raffinati intrecci dei chitarristi Steve Cardenas e Chico Pinheiro, l'insinuante apporto ritmico del leader e di Allan Mednard, fanno di questo 14° album del bassista un'altra gemma. Per timore di essere equivocati non usiamo il termine cool ma in senso ampio quell'estetica è viva, accanto ad aromi soulful, nostalgici echi di Brasile e bossa nova (c'è tutta la grazia di Gilberto e Jobim), più melodie cristalline che si ...
Continue ReadingBrandee Younger: Somewhere Different
by Angelo Leonardi
Da un decennio Brandee Younger è il nuovo volto dell'arpa nel jazz ma solo da poco ottiene i pieni riconoscimenti del suo valore: nel 2020 vince il referendum della critica di Down Beat nella categoria emergenti per “Strumenti Vari" e nel recentissimo Critics Poll 2021 è votata al secondo posto in quella principale, dopo la violoncellista Tomeka Reid. Non è casuale la presenza di entrambe nel poliedrico Universal Beings di Makaya McCraven, uno dei dischi più riusciti e acclamati della ...
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