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About Alfredo Colón

11

Album Review

Freedom Art Quartet: First Dance

Read "First Dance" reviewed by Carl Medsker

by Carl Medsker

Raucous, brash and freewheeling, First Dance by The Freedom Art Quartet is rooted in the past yet fresh and contemporary. The album should sound familiar to those who have ventured outside the mainstream and spent time with Ornette Coleman and the Art Ensemble Of Chicago. Those forces are strong in the band, but labeling them retro avant-garde would be unfair and simplistic. There are echoes of New Orleans second lines, a heavy dose of the blues, post-bop elements, a nod ...

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Album Review

Henry Threadgill: The Other One

Read "The Other One" reviewed by Giuseppe Segala

by Giuseppe Segala

Giunto sulla soglia delle ottanta primavere, Henry Threadgill non lascia sbiadire la propria splendida vitalità creativa. Lo ha fatto quest'anno sia con la pubblicazione dell'imperdibile autobiografiaEasily Slip into Another World, che con una nuova realizzazione discografica, The Other One. Pure questa imperdibile, si colloca tra i lavori che lo hanno visto impegnato esclusivamente come compositore e direttore dell'ensemble, non in qualità di strumentista e solista, sulla traccia dei precedenti Old Locks and Irregular Verbs, del 2016, e Double ...

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9

Album Review

Henry Threadgill: The Other One

Read "The Other One" reviewed by John Ephland

by John Ephland

Listening to Henry Threadgill's music, the bobbing and weaving doesn't maintain a continuity but can jump from one strand to another, one scene to another, as in a dream. It is tonal and not, just as dreams are, perhaps, rhapsodic or unkempt, the story or plot being as tangible, fungible as a summer breeze. Much is made of Threadgill's chamber-music esthetic. And rightly so. It is “so chamber music precise it must all be premeditated, right?" asked the ...

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16

Album Review

Henry Threadgill Ensemble: The Other One

Read "The Other One" reviewed by Troy Dostert

by Troy Dostert

Now that Henry Threadgill has begun receiving the accolades he has long deserved--the Pulitzer Prize he won in 2016 for In for a Penny, In for a Pound (Pi Recordings, 2015) being just the most prominent example--it is impressive to find him still relentlessly stretching himself as a performer and composer. Since his first forays into the jazz avant-garde in the 1970s, the maverick multi-instrumentalist has always made music that challenges listeners in exciting ways, but it is his uncanny ...

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