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About Adam Hopkins

1

Album Review

Laura Ann Singh: Mean Reds

Read "Mean Reds" reviewed by Hrayr Attarian

by Hrayr Attarian

Vocalist Laura Ann Singh has an adventurous spirit and a unique style.  Whether interpreting Brazilian music, standards, or modern classical compositions, Singh puts her indelible mark on everything she tackles.  Her ambitious debut, Mean Reds,  draws inspiration from vocalist Asha Puthl and saxophonist Ornette Coleman's 1970s collaboration.  The eight elegant originals eloquently express a range of sentiments from anger to tenderness, from grief to whimsy.  Thus, they showcase Singh's prowess as a versatile songwriter and performer.For instance, the ...

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Album Review

Webber/Morris Big Band: Unseparate

Read "Unseparate" reviewed by Angelo Leonardi

by Angelo Leonardi

Le sassofoniste Anna Webber e Angela Morris confermano le innovative concezioni orchestrali dimostrate in Both Are True (Greenleaf Music, 2020), con un disco ancor più avvincente, che s'impone tra i migliori dell'anno. L'organico registra pochissime variazioni (le più significativa sono l'ingresso della pianista Marta Sanchez al posto di Marc Hannaford e le assenze della vibrafonista Patricia Brennan e del trombonista Nick Grinder sostituiti rispettivamente da Yuhan Su e Zekkereya El-magharbel). L'organico è costituito dai migliori strumentisti operanti a New York ...

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8

Interview

Presenting Great Music: Adam Hopkins and Scott Clark of Out of Your Head Records

Read "Presenting Great Music: Adam Hopkins and Scott Clark of Out of Your Head Records" reviewed by Don Ball

by Don Ball

It is difficult to make a living as a musician, especially as a jazz musician, and even more so as an avant-garde/free jazz musician. Venues are hard to come by, especially outside of major cities. The COVID pandemic made things worse, closing many of the few places that were available for live jazz. Even putting out recordings is a difficult task. Often, a musician will submit their work to various labels, hoping for a bite. And with so many of ...

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1

Radio & Podcasts

Meet Adam Hopkins

Read "Meet Adam Hopkins" reviewed by Cheryl K.

by Cheryl K.

During this week's one-hour program of jazz and improvised music, news, radio, conversations and more, an interview with bassist, composer, and founder of Out of Your Head Records Adam Hopkins. The artist-run, Richmond, VA / Brooklyn, NY-based label has launched a new digital-only series--"Beacons." Playlist Sonny Rollins “Easy Living" from Easy Living (Milestone) 6:09 Don Macdonald “Sonny's Bridge" from Short Stories (Don Macdonald) 3:45 [excerpt] Adam Hopkins “Chemiluminescence" from Crickets (Out of Your Head) 1:26 [excerpt] Kwan/Pauly/Shaw “Range ...

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2

Liner Notes

Dustin Carlson: Air Ceremony

Read "Dustin Carlson: Air Ceremony" reviewed by Dustin Carlson

by Dustin Carlson

Dream-time, work-time, play-time, ceremony-time, time counted and time uncountable... Time like a desert with sinuous lines unbroken; like a forest with trees that mark space, territory, barlines; or Time like an exit ramp, a cloverleaf highway interchange with its traffic, speed shifts, and the roar of engines... The time it takes a fern to grow, an egg to dry, a bullet to fire, a shoreline to erode ... or a body to touch the ground after a leap; or a ...

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9

Album Review

Anna Webber: Rectangles

Read "Rectangles" reviewed by John Sharpe

by John Sharpe

Canadian saxophonist Anna Webber's quartet provides a second winning entry in Out Of Your Head Records' digital Untamed series, following Nick Dunston's Atlantic Extraction: Live At Threes (2020). Webber calls the band Rectangles after a composition inspired by a sequence of 10-second videos on the YouTube test channel Webdriver Torso which consist of a string of high pitches coupled with images of red and blue rectangles flashing across the screen. If that premise sounds unpromising, the execution is anything but. ...

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8

Album Review

Peter Hess Quartet: Present Company

Read "Present Company" reviewed by Jim Worsley

by Jim Worsley

What word to say first, refreshing or wow? Perhaps, wow, this is refreshing! With the assorted amount of experimental jazz that often needed more time in the lab, that is an assault on the unsuspecting ear, the Peter Hess Quartet have concocted their own penicillin. No longer lab rats, minds can be allowed to thrive and grow. With seven original compositions, the first five by Hess, this quartet was clearly not content to rely on the tried and ...

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