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Jazz Articles about Abbey Rader

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Album Review

Abbey Rader and John McMinn: Two As One

Read "Two As One" reviewed by Hrayr Attarian


Drummer Abbey Rader and saxophonist & pianist John McMinn have forged a seamless camaraderie and sublime creative synergy over the course of 30-plus years. In March of 2020, because of the Covid-19 pandemic, they were obliged to stop performing together. Sixteen months later they reunited in Miami for a poignant and moving set of entirely improvised music which Rader released under the title Two As One. From the start, the duo sets a distinctly ethereal mood which permeates ...

1
Album Review

Abbey Radar and John McMinn: Duo from the Heart

Read "Duo from the Heart" reviewed by Hrayr Attarian


Drummer Abbey Rader is a nuanced and expressive percussionist and an adventurous and introspective improviser. His body of work of over two dozen releases is, perhaps, one of the most mystical on today's creative music scene. The sublime Duo from the Heart is one of his more intimate recordings pairing him with long time collaborator pianist and saxophonist John McMinn. Recorded in McMinn's home, the seven spontaneous performances that comprise the album range from fiery and raw to ...

4
Album Review

Abbey Rader West Coast Quartet: Second Gathering

Read "Second Gathering" reviewed by Hrayr Attarian


Drummer Abbey Rader is a consummate improviser and an innovative bandleader. His intrepid creativity evolves and transforms with each recording. The 2018 Second Gathering is no exception. On it Rader leads his West Coast Quartet on five spontaneously composed multilayered tracks that bear his indelible mark of cerebral spirituality. The ambience of “Uncovering the Jewel in the Lotus" is that of an eastern Zen serenity. Bassist Kyle Motl's reverberating strums and Rader's rustling percussion build an angular rhythmic ...

4
Album Review

Abbey Rader and John McMinn: Phenobarbital Sessions

Read "Phenobarbital Sessions" reviewed by Hrayr Attarian


Improvised soundtracks in motion pictures have a venerable tradition. Perhaps the best known among them remains trumpeter Miles Davis' Ascenceur Pour L'Echafaut (Fontana, 1958). Film director Jorge Rubiera, who had made a documentary on the intrepid drummer Abbey Rader, approached him for a score for his project “Phenobarbital." Rader together with longtime collaborator saxophonist John McMinn spontaneously created music for Rubiera. The resulting Phenobarbital Sessions is as unique and as dramatic as the artistic visions of all involved.The ...

4
Album Review

Abbey Rader: Ritual

Read "Ritual" reviewed by Hrayr Attarian


The stimulating Ritual is an energetic and intricate improvised session that drummer Abbey Rader lead on the 27th January of 2016. Although this absorbing music is free flowing and created on the spot it has a definite, fluid structure to it. The primary reason for this is the shared musical vision among Rader and his side men, bassist Kyle Motl and tenor saxophonist Drew Ceccato, both long term collaborators. The melancholic and expectant title track, for instance, has ...

4
Multiple Reviews

Abbey Rader in the Spotlight: Ritual and Phenobarbital Sessions

Read "Abbey Rader in the Spotlight: Ritual and Phenobarbital Sessions" reviewed by Kevin Press


There are no springs in Coral Springs, Florida. What the Broward County city does have is a remarkable ability to adapt. Two of its most popular landmarks, The Coral Springs Center for the Arts and The Museum of Coral Springs History, were originally designed as a gymnasium and real estate office respectively. Despite its surprising lack of groundwater, this planned community northwest of Fort Lauderdale is nothing if not creative. Perhaps that's got something to do with free ...

4
Album Review

Abbey Rader's West Coast Quartet: First Gathering

Read "First Gathering" reviewed by John Sharpe


Veteran drummer Abbey Rader's foray to California adds a further chapter to the welcome renaissance of reedman Peter Kuhn. Both men were part of the New York loft jazz scene in the 1970s, but while Kuhn eventually dropped from view in the early '80s, Rader persisted, first moving to Europe, but later returning to Florida where he recorded with saxophonist Dave Liebman, and then spent five years with violinist Billy Bang. Now into his seventies, Rader continues to helm freewheeling ...


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