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1,016

Live Review

Umbria Jazz: Days 4-6, July 13-15, 2009

Read "Umbria Jazz: Days 4-6, July 13-15, 2009" reviewed by Michael J. West

by Michael J. West

Days 1-3 | Days 4-6 | Days 7-10 The next three days of the Umbria Jazz began with two concert series that promised to be intriguing. American vibraphonist Joe Locke performed three times with Italian pianist Dado Moroni and saxophonist Rosario Giuliani at the very small Oratorio Santa Cecilia church. The trio is recording an album, presumably culling the best performances from all three concerts.

The other series, which the 2009 program calls “One of the feathers in the ...

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305

Album Review

Gilgamesh: Another Fine Tune You've Got Me Into

Read "Another Fine Tune You've Got Me Into" reviewed by Nic Jones

by Nic Jones

British bass guitarist Hugh Hopper's recent death in the summer of 2009 throws this reissue into some sad relief. Recorded and originally released some 31 years ago, the fare is fusion of an order made rare by the fact that it's played with a measure of diffidence and an absence of empty technical fireworks. In short the music, all of it written by band members, gets the chance to breathe, yet its airy, listener-friendly surface resounds at deeper, more profound ...

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367

Live Review

Molde Jazz: Day 4, July 16, 2009

Read "Molde Jazz: Day 4, July 16, 2009" reviewed by John Kelman

by John Kelman

Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 Supersilent / HuntsvilleMolde JazzMolde, NorwayJuly 16, 2009There are those who think that jazz is “moldy fig" music--music for gray hairs and no hairs. There's also some concern that the music will die as the baby boomer generation begins to enter retirement and, ultimately, leave this mortal coil. Nothing could be further from the truth, based ...

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303

Album Review

Joe McBride: Lookin' for a Change

Read "Lookin' for a Change" reviewed by Woodrow Wilkins

by Woodrow Wilkins

There is The Great American Songbook, that vast repertoire of songs culled from musicals, vintage jazz and early rock--songs that have been tapped dozens of times by artists young and old. It gets to the point that whenever the word “cover" is mentioned, eyes roll and stomachs begin to turn. So it's a pleasant change of pace when an artist picks songs that aren't on everybody else's radar. Joe McBride takes that approach with Lookin' for Change.McBride, a ...

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229

Album Review

Warren Smith: Old News Borrowed Blues

Read "Old News Borrowed Blues" reviewed by Jerry D'Souza

by Jerry D'Souza

Warren Smith (drums, vibraphone, percussion) does not have a deep discography as a leader, and so any recording by him is most welcome. All the music on this CD has been performed live but never released, and the wait makes hearing it all the sweeter.

Though his work as leader has been thin, Smith has played and recorded with some of jazz's more challenging musicians including Anthony Braxton, Muhal Richard Abrams, George Russell and Julius Hemphill. He was ...

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343

Take Five With...

Take Five With Jakob Elvstrom

Read "Take Five With Jakob Elvstrom" reviewed by AAJ Staff

by AAJ Staff

Meet Jakob Elvstrom:I was born in 1966 on the Funen island in Denmark, being the oldest of three. I graduated from the Conservatory in Aarhus in 1995 with saxophone as my major, and since then I've been making a living playing and teaching music.Instrument(s):Saxophone (alto, soprano, baritone, tenor)Teachers and/or influences?Listened a lot to David Sanborn, Paul Desmond and Lou Donaldson.I knew I wanted to be a musician when...

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434

Album Review

Trespass Trio: "...was there to illuminate the night sky..."

Read ""...was there to illuminate the night sky..."" reviewed by Glenn Astarita

by Glenn Astarita

In the album notes to Trespass Trio's “...was there to illuminate the night sky...", saxophonist Martin Kÿchen provides a colorful yet somewhat fragmented essay, regarding the evisceration of society, partly tied into the Iraq war and the everlasting Israel-Palestine conflict. He sets the stage for a life force panorama, iterated through the power of music that casts a dour or ominous state of affairs. Recorded in Norway, the Scandinavian trio exercises some bloodletting here.

The injustices of society ...

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682

Interview

George Wein: Back to Doing His Thing

Read "George Wein: Back to Doing His Thing" reviewed by R.J. DeLuke

by R.J. DeLuke

Not many people stand in shoes similar to the ones in which jazz impresario George Wein now finds himself. Having invented the jazz festival more than half a century ago, his name is synonymous with the Newport Jazz Festival, his first and most well-known child of that genus. He led a company that expanded on the flagship festival in the Rhode Island resort city and produced a number of festivals at one time, including those in New Orleans, Saratoga Springs ...

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576

Live Review

Vision Festival 2009: Day 6

Read "Vision Festival 2009: Day 6" reviewed by John Sharpe

by John Sharpe

Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 | Day 7

Planet Dream / Fred Anderson Trio / Michelle Rosewoman and Quintessence / Whit Dickey/Eri Yamamoto/Daniel Carter / Peter Brotzmann's Full Blast Trio 14th Annual Vision Festival Abrons Arts Center New York City June 14, 2009

Chapter Index Planet Dream Fred Anderson Trio Michelle Rosewoman and Quintessence Whit Dickey/Eri Yamamoto/Daniel Carter Peter ...

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498

Album Review

Mikkel Ploug Group: Harmoniehof

Read "Harmoniehof" reviewed by Mark F. Turner

by Mark F. Turner

Danish guitarist Mikkel Ploug, a rising player in the vein of such contemporaries as Kurt Rosenwinkel and Torben Waldorff, articulates his own vocabulary--one that contains folk, rock, and modern jazz sensibilities. Harmoniehof, the follow-up to Ploug's eponymous 2006 debut on Fresh Sound New Talent featuring saxophonist Mark Turner, further illuminates his tightly knit band. Turner's ubiquitous voice (constant session work, and a member of the critically acclaimed collaborative group Fly), has been an integral part of Ploug's ...

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