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Our daily articles are carefully curated by the All About Jazz staff. You can find more articles by searching our website, see what's trending on our popular articles page or read articles ahead of their published dates on our Coming Soon page. Read our daily album reviews.

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561

Album Review

Christian Wallumrod Ensemble: Fabula Suite Lugano

Read "Fabula Suite Lugano" reviewed by David McLean

by David McLean

Christian Wallumrød has that rare gift of having an instantly recognizable sound. The pianist's music is characterized by unique blend of early music, romanticism, and traditional Scandinavian folk music idioms played with the looseness of jazz and academic curiosity reminiscent of two of his major influences, John Cage and Morton Feldman. Wallumrød has managed to harmonise these contradictory elements to create a wondrously obscure new music. However, the sound is never dependent on the polarity of these oppositions; its existence ...

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677

Live Review

"Birth of the Cool:" Bob Perkins Lectures and the Don Wilson Trio Performs

Read ""Birth of the Cool:" Bob Perkins Lectures and the Don Wilson Trio Performs" reviewed by Victor L. Schermer

by Victor L. Schermer

Birth of the CoolPerformed by The Don Wilson TrioLecture by Bob PerkinsOctober 25, 2009The Pennsylvania Academy of the Fine ArtsPhiladelphia, PA

This writer could think of no better way to spend an autumn Sunday afternoon than to stroll over to the fabled Pennsylvania Academy of Fine Arts to hear the revered local disc jockey Bob Perkins reflect upon the groundbreaking Miles Davis album, Birth of the Cool, while tunes were performed ...

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650

Bailey's Bundles

The State of Grace 2009: Deanna Witkowski, Ike Sturm and Jeff Baker

Read "The State of Grace 2009: Deanna Witkowski, Ike Sturm and Jeff Baker" reviewed by C. Michael Bailey

by C. Michael Bailey

The role of the church, or more specifically, Christianity, in American culture cannot be overestimated even by those who do not subscribe to the Christian faith. One place where art and Christianity intersected long ago was in music. Since the Middle Ages, music has been used as a vehicle of worship (2000 years before this if the “Judeo-" part of the Judeo-Christian heritage is considered). It has manifested equally in the church and concert hall.

Jazz is no stranger to ...

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721

Live Review

Steely Dan at Wells Fargo Theater in Denver

Read "Steely Dan at Wells Fargo Theater in Denver" reviewed by Geoff Anderson

by Geoff Anderson

Steely Dan Wells Fargo Theater Denver October 29, 2009

Going to a Steely Dan concert is like riding in a luxury car; you know just what you're going to get: a smooth, comfortable ride. There may not be much in the way of surprises, but it sure feels good. That predictability applies even more on the current tour in which the band has been playing some of their classic albums in their entirety. ...

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278

Album Review

Mark Moraghan: Moonlight's Back In Style

Read "Moonlight's Back In Style" reviewed by Bruce Lindsay

by Bruce Lindsay

Moonlight's Back In Style is a swing album. In fact, according to songwriter Nicky Campbell's liner notes, it's a New Swing album--songs in a classic style but rooted in contemporary experience. Whether this recording heralds a new musical genre or not it's an easygoing and likeable set of songs. Old swing fans should find plenty to enjoy. The genesis of this album warrants some explanation. Mark Moraghan is an actor, well-known in Britain for his work on ...

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200

Album Review

Coto Pincheira: The Sonido Moderno Project

Read "The Sonido Moderno Project" reviewed by Raul d'Gama Rose

by Raul d'Gama Rose

Coto Pincheira, as Julio Alejandro Pincheira Cubillos prefers being called, has made an enthusiastic impression with The Sonido Moderno Project, literally, the Modern Sound Project. This virtuoso pianist, to whom clave comes naturally, has attempted to pour this rollicking backbeat into a cauldron set alight by the vast number of Afro-Caribbean metaphors and rhythms. The result is a molten mix that gathers momentum from Cuba and from Chile, as well as half a dozen other South American musical traditions. To ...

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361

Album Review

Vince Guaraldi: The Definitive Vince Guaraldi

Read "The Definitive Vince Guaraldi" reviewed by David Rickert

by David Rickert

Many of us were turned on to jazz before we even knew what it was, thanks to Vince Guaraldi. His soundtracks for the Peanuts television specials were a novel idea in cartoon scoring, yet seemed to perfectly fit the deceptively sophisticated adventures of Charlie Brown and the rest of the Peanuts gang. His originals were some of the best jazz to come from the West Coast scene and a tribute to what can happen when a great muse hits a ...

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508

Album Review

Gwilym Simcock: Blues Vignette

Read "Blues Vignette" reviewed by John Kelman

by John Kelman

Around long enough that the phrase “coming late to jazz" is no longer relevant, pianist Gwilym Simcock's star has been rapidly rising on the British scene for the past seven years, as he continues to mine the nexus of a classical upbringing with his more recent “conversion" to jazz. All too often, young artists release albums as leaders before they're ready, but in the case of the still twenty-something Simcock--a member of saxophonist Tim Garland's innovative Lighthouse Trio responsible for ...

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333

Album Review

Bela Fleck: Throw Down Your Heart

Read "Throw Down Your Heart" reviewed by Chris May

by Chris May

An exemplary adventure in cross-cultural music making, banjoist Béla Fleck's Throw Down Your Heart deserves every bit of hyperbole that is going to be thrown at it. The third volume in Fleck's Tales From The Acoustic Planet series, it's subtitled “Africa Sessions" and finds him in East and West Africa, mostly on field recordings or in improvised studios, playing with musicians from Mali, Madagascar, Tanzania, Uganda, Senegal, South Africa, Cameroon and Gambia. It's simply sublime.

Though the cast ...

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662

Interview

Chuck Anderson: Philadelphia Ace

Read "Chuck Anderson: Philadelphia Ace" reviewed by Ed Benson

by Ed Benson

[Editor's Note] Chicago-born but long associated with the Philadelphia scene, Chuck Anderson is one of the many guitarists working in jazz who deserves greater recognition. With ten CDs to his name, Anderson has authored over a dozen instructional books, and maintains a busy teaching and consulting business. The developer of the Neo Classical Style of guitar playing, which approaches performing classical repertoire with a pick rather than fingers. Ed Benson's interview, originally published in Just Jazz Guitar magazine, brings well-deserved ...

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