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258

Live Review

Eli "Paperboy" Reed at Joe's Pub, March 31, 2010

Read "Eli "Paperboy" Reed at Joe's Pub, March 31, 2010" reviewed by Ernest Barteldes

by Ernest Barteldes

Eli “Paperboy" Reed and the True Loves Joe's Pub March 31, 2010 New York, NY

Playing before a nearly sold-out crowd, the seven-piece True Loves (Freddy DeBoe: Baritone Sax; Mike Brooks: Tenor Sax; Patriq Moody: Trumpet; Jerrell Clopton: Drums; Michael Montgomery: Bass; Ryan Spraker: Guitar; J.B. Flatt: Organ) kicked off with a short 60s-inspired funk theme that warmed up the audience in preparation for what was to come: a collection ...

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299

Album Review

Oles Brothers with Rob Brown: Live At SJC

Read "Live At SJC" reviewed by Mark Corroto

by Mark Corroto

It's funny how certain jazz players find other kindred spirits to play with. Where would Ornette Coleman have been if he hadn't found Charlie Haden? Or McCoy Tyner without John Coltrane? Like minds always seem to find and sometimes track down each other. Such is the case with the Polish brothers Marcin Oles (bass) and Bartlomiej Brat Oles (drums) recording with American saxophonist Rob Brown.

The brothers' previous outings have included collaborations with Kenny Werner Shadows (Fenomedia, 2006), ...

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350

Album Review

Soegaard Ensemble: Soundmapping The Genes

Read "Soundmapping The Genes" reviewed by Glenn Astarita

by Glenn Astarita

The premise for this electronics-based engagement is not steeped in customary backdrops, such as phantasmagorical space travel or existential musings of a divine entity. Conversely, the foundation for this trio's excursion relates to morphing DNA code-sequencing into music. The DNA modeled here emanates from the protein of the rainbow trout and is transformed into MIDI language, featuring 642 notes amid real-time music frameworks.

DNA is elevated into a mesmeric showcase, where Frederick Soegaard intermixes psycho-rock guitar with the ...

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502

Album Review

Paul Motian / Chris Potter / Jason Moran: Lost In A Dream

Read "Lost In A Dream" reviewed by David McLean

by David McLean

A drummer whose inventive approach to percussion has produced one of the most recognizable and in demand sounds in the pantheon of jazz, Paul Motian's revolutionary playing has seen him approach the kit not as a rhythmic backbone, but as a tool for subtlety and soundscape creation. Lost In A Dream, Motian's set of midnight ballads, is a perfect evocation of the the New York Cityscape's iconography. His hushed brush work calls to mind the patter of rain--the mist and ...

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761

Live Review

Peter Nero and the Philly Pops Celebrate the Music of the “Greatest Generation”

Read "Peter Nero and the Philly Pops Celebrate the Music of the “Greatest Generation”" reviewed by Victor L. Schermer

by Victor L. Schermer

Philly Pops Orchestra Revisits “The Stage Door Canteen"Peter Nero, Artistic Director Lynn Roberts, featured vocalistThe Kimmel Center for the Performing ArtsPhiladelphia, PA March 27, 2010 Why a concert review of the popular music of World War II on a jazz-focused website? The very question suggests how misguided it can be to separate jazz from its past. Many of the standards that jazz groups play today come from this period. And nearly all ...

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369

Album Review

Earl MacDonald: Re:Visions

Read "Re:Visions" reviewed by Mark Corroto

by Mark Corroto

There is a reason that the saying, “keeping it fresh" is rarely uttered in the same sentence as “17-piece jazz orchestra"--because a large orchestra in the world of jazz tends to maneuver about as delicately as an army deploys. Well, that is unless your jazz army is under the direction of Earl MacDonald. He commands his troops on Re:Visions to be both flexible and nimble. This buoyant recording is a big band record for those who prefer the dexterity of ...

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914

Record Label Profile

Rune Grammofon: Mutation and Reevaluation

Read "Rune Grammofon: Mutation and Reevaluation" reviewed by David McLean

by David McLean

Since its inception in 1998, Rune Grammofon has been at the forefront of ground breaking new music, heralding a new unprecedented interest in Scandinavian music. Whereas ECM's focus on the region has largely been based around the folk/traditional music explorations of its most prolific artists, including Jan Garbarek, Arild Andersen, Terje Rypdal and Jon Christensen, and a new wave of “Nordic Cool"/experimental signings such as Mats Eilertsen, Jacob Young, Trygve Seim and Tord Gustavsen, Rune Grammofon has stridently and effectively ...

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806

Extended Analysis

Nguyen Le: Signature Edition 1

Read "Nguyen Le: Signature Edition 1" reviewed by Chris May

by Chris May

Nguyên Lê Signature Edition 1 ACT Music 2010

It might seem perverse to begin a review of a Nguyên Lê release with the observation that there is “too much fusion" on it, as, increasingly since the late 1990s, it is to the fusion mast that the guitarist has nailed his colors. But it is legitimate when considering the anthology Signature Edition 1, a double-disc set which starts with Lê's recordings ...

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548

Album Review

Phronesis: Green Delay

Read "Green Delay" reviewed by Alex J Watson

by Alex J Watson

Following the success of Organic Warfare (Loop, 2007), Copenhagen-born bassist and Loop Collective member Jasper Høiby presents his second album as leader--Green Delay--with his London based trio Phronesis. Høiby is joined on this set of original compositions by drummer Anton Eger and pianist Ivo Neame, who replaces Organic Warfare's Magnus Hjorth. Characterized by intense, bass-driven grooves in odd time signatures, lyrical melodies, and fantastic interplay, this album shows Høiby's flair as a composer, whilst framing the pure strength ...

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505

Album Review

Marc Wagnon: Earth is a Cruel Master

Read "Earth is a Cruel Master" reviewed by John Barron

by John Barron

It took multi-instrumentalist Mark Wagnon an entire year to record and mix Earth is a Cruel Master, an engaging collection of original jazz-rock grooves with whirlwind melodic themes and robust improvisations. Known primarily as a vibraphonist, the New York-based Wagnon also plays drums, marimba, keyboards and various percussion instruments throughout the recording. Aided by guitarist Van Manakas, electric bassist Leo Traversa and, on a couple of tunes, upright bassist Danny Stone, the disc has the raw sound of a live ...

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