Jazz Articles
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Tomasz Stanko Quartet: Dark Eyes
by Ian Patterson
As a trumpeter, Tomasz Stanko clearly owes a debt to Miles Davis; yet, after four decades making some of the most arresting small ensemble jazz music in Europe, the Polish veteran perhaps deserves to be considered in the same category as the iconic legend. As a trumpeter, composer and leader, Stanko has few peers, past or present. Dark Eyes introduces Stanko's exciting new band after three wonderful recordings with pianist Marcin Wasilewski, bassist Slavomir Kurkiewicz and drummer Michal Miskiewicz, and ...
Continue Reading...Monkadelphia: Crepuscule
by Mark Corroto
At first glance, Monkadelphia might be confused with the Belgian religious monks who brew dark beers. However, these postulants are, instead, a cover band for the jazz high priest of bebop, Thelonious Monk. WithCrepuscule, Monkadelphia releases the follow-up to its self-titled debut.As Monk cover sessions tend to go, bands generally opt for the far ends of the spectrum, either replicating Monk's style with exacting technique or reconfiguring his music into something unaccustomed. Monkadelphia opts for a satisfying middle- ...
Continue Reading...Wycliffe Gordon: What This is All About
by Esther Berlanga-Ryan
Versatility is an important part of a well-developed artistic soul. The arts provide a wide range of outlets of expression that can be nurtured and grown into their finest results. Music could very well be a reason to believe in the extraordinary, and jazz musicians are no exception; they might even be a norm. It is the dream of every artist to create freely, as improvised notes are gathered in an instrument and then exposed to the world at a ...
Continue Reading...Sammy Cahn, Vernon Duke, and Earl Zindars
by Sean Dietrich
Standards are the language of jazz. Standards represent music that have withstood the ruthless test of time. Songs built by craftsman, instead of limericks scribbled by American idols adorned in sequins and leather chaps. Music that has been constructed to last, built with the brick and mortar of harmony and melody. And yet, too often, the timeless master-song-craftsman's names are not usually recognized by listening audiences of today.Sammy CahnFew songwriters are able to weave such picturesque ...
Continue Reading...Tamir Hendelman: Destinations
by Dr. Judith Schlesinger
Destinations, pianist Tamir Hendelman's second CD as leader, is a bold and satisfying follow-up to his 2008 debut, Playground (Swing Bros). There are many fine pianists with impressive technique and swing who are convincing in a number of styles, play with real feeling, and contribute a tuneful original or two. What increasingly distinguishes Hendelman is his gift for imaginative arranging. For one thing, he will compose an introduction that makes it difficult to predict what follows, but seems perfectly suited--even ...
Continue Reading...Adrian Iaies Trio: A Child's Smile
by Raul d'Gama Rose
On A Child's Smile, Adrian Iaies sheds the Argentinean persona that occasionally shrouds his music. Here the pianist has become a complete, swaggering, swinging entity, and one who melds his mentors--Hank Jones, Tommy Flanagan, Wynton Kelly, Red Garland and principally Bill Evans--into an entirely new entity. The result is a brooding artist who looks deep within his wandering soul. His personality is complex and wonderful. He is a musician and a colorist who plays with the multiple shades of light ...
Continue Reading...Michael Landau / Robben Ford / Jimmy Haslip / Gary Novak: Renegade Creation
by John Kelman
While by no means an absolute, there's a strong case for great jazzers making great rockers: Larry Carlton with Steely Dan and Michael Jackson; drummer Steve Gadd with Eric Clapton and Paul Simon; and saxophonist Michael Brecker with Billy Joel and Blue Oyster Cult. Renegade Creation's four artists may possesses a broader jazz vernacular, but it's all in service of the grit and grease of an unequivocal rock record, from the Bo Diddley beat of What's Up" and slow grind ...
Continue Reading...Dolores Scozzesi: A Special Taste
by C. Michael Bailey
Los Angeles-based vocalist Dolores Scozzesi concludes A Special Taste with the time-honored Kosma/Mercer standard, Autumn Leaves." Her approach is one of simplicity and elegance, opening the piece with Jacques Prevert's French lyrics, an alto Edith Piaf crossed with Roberta Gambarini and accented with Daniela Schachter. Scozzesi is accompanied to great effect by guitarist Grant Geissman, who arranged the piece as a light samba decorated with his intricate Latin latticework. In such close confines, a potent musicality is ...
Continue Reading...A Hot Night in the Old Town
by Dan Morgenstern
What might well be the most spartan jazz club anywhere (if you didn't know it was there, you'd walk right past it) is The Stone, way down at Avenue C and East 2nd Street in Manhattan. Founded by John Zorn, the avant-garde composer, arranger and record producer, as a venue for intrepid music, it's a new kind of jazz club where no refreshments or merchandise is sold, only music, and all nightly revenues go to the musicians. The door charge ...
Continue Reading...Alex Sipiagin: Generations
by Mark F. Turner
Alex Sipiagin pays it forward with his eighth Criss Cross release, Generations, dedicated to the late Woody Shaw, a lesser celebrated but brilliant trumpeter who performed with artists including Anthony Braxton, Chick Corea, Eric Dolphy, Andrew Hill. A fiery stylist with perfect pitch and lyricism, Shaw was admired by peers and emulated by up-and-comers as Sipiagin confirms, Even now, many years later, every time I listen to Woody, I always find something new and inspiring." Sipiagin is ...
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