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125

Album Review

Klezwoods: Oy Yeah!

Read "Oy Yeah!" reviewed by Bruce Lindsay

by Bruce Lindsay

From the opening bass, snare drum and accordion of “Ki Eshmera," the Boston-based Klezwoods deliver a beautifully structured and performed collection of traditional tunes on its debut, Oy Yeah!. The nine-piece band moves from haunting ballads to frenzied dance tunes with ease, adding an intriguing original tune from clarinetist Alec Spiegelman for good measure. Kletzwoods is led by violinist Joe Kessler, a versatile player who has worked with Morphine and the Robert Plant/Jimmy Page reunion band. Kessler ...

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460

Album Review

Chico Pinheiro: There's A Storm Inside

Read "There's A Storm Inside" reviewed by Mark F. Turner

by Mark F. Turner

There's A Storm Inside reaffirms Brazilian music as still one of the most romantic and vivacious genres in the world. While the rich lineage of enticing vocals and exotic rhythms remains intact, guitarist/vocalist Chico Pinheiro expands the tradition and infuses it with modernistic touches. A consummate artist, his voice is as sultry as Vinicius Cantuária, along with fret board and fingering magic that reaches the mastery of Romero Lubambo. The pristine sound and high production values are ...

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149

Album Review

Branden Abushanab: The Dust Improvisations

Read "The Dust Improvisations" reviewed by Mark Corroto

by Mark Corroto

Unless you happen to be William Parker or Joëlle Léandre, the making of a solo bass recording is one (sorry for the pun) plucky career move. That is just what bassist Branden Abushanab has done with these forty-six minutes of The Dust Improvisations.The South Carolina native delivers five performances that focus on texture over timekeeping, and energy instead of rhythm. Like the early recordings of guitarist Loren Mazzacane Connors, these pieces feel as if Abushanab is reinventing the ...

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145

Album Review

Benny Sharoni: Eternal Elixir

Read "Eternal Elixir" reviewed by Raul d'Gama Rose

by Raul d'Gama Rose

The Benny Sharoni at work on Eternal Elixir shares two sides of his emerging voice and therefore a true personality that is developing deep within the soul of the tenor saxophonist. One side of the artist is a brash young man, who favors the language of modal music. And he makes good this aspect of the artist by kicking off the proceedings on “Bernstein," his reverential sketch of the legendary American musician and conductor of various equally legendary orchestras of ...

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158

Album Review

Soulive: Rubber Soulive

Read "Rubber Soulive" reviewed by Doug Collette

by Doug Collette

Soulive has experimented in many directions during the course of its decade- plus career, so it's only natural that the group would eventually go back to the basics, and that's exactly what it's done with Rubber Soulive. Comprised entirely of tunes by The Beatles, this project allows the band to get back to its roots in more ways than one (on the inner liner photo, see the suits and ties of their early days) without even covering that particular Lennon/McCartney ...

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380

Big Band Report

It's Time for the News! But First, a Brief Report from Sick Bay...

Read "It's Time for the News! But First, a Brief Report from Sick Bay..." reviewed by Jack Bowers

by Jack Bowers

August 2010 has been an interesting month. A few weeks ago I noticed a slight twinge in the right shoulder. The twinge soon became an ache, followed by loss of mobility and muscle tone in the right arm. The pain varies but is always there. As this is being written, I can raise the right arm less than halfway to shoulder height, and can't come near straightening it in front of me. I can flex the right hand but can't ...

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772

Big Band Caravan

Dani Felber Big Band / Dan Gailey Jazz Orchestra / Jazz Composer's Workshop Orchestra

Read "Dani Felber Big Band / Dan Gailey Jazz Orchestra / Jazz Composer's Workshop Orchestra" reviewed by Jack Bowers

by Jack Bowers

Dani Felber Big BandMore Than Just Friends Self Published2010 Before hazarding any premature comment about the merits of this new album by Swiss bandleader Dani Felber, it must be noted at the outset that one of Felber's good friends is former Count Basie stalwart Frank Foster whose even-handed assessment is that “this is the very best big band in Europe." Clearly one man's opinion, but considering who that man is, one that's ...

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160

Album Review

Ethan Mann: It's All About A Groove

Read "It's All About A Groove" reviewed by Raul d'Gama Rose

by Raul d'Gama Rose

It's All About a Groove is all about three self-effacing musicians having a fine time playing some music that burns with a cold fire, and swinging, sometimes with a fair gusto. Most of all this date is about uncomplicated, yet attractive improvisation, as a group that rarely veers far from the melody, but ventures far enough to create the right kind of buzz. Ethan Mann is a guitarist who has a lot to say in a voice that is uncompromisingly ...

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153

Album Review

Renzo Murrone: Out Of This World

Read "Out Of This World" reviewed by Bruce Lindsay

by Bruce Lindsay

Italian-born, London-based Renzo Murrone is a welcome addition to the list of male jazz vocalists, thanks to his beautiful debut, Out Of This World. It's a collection of original songs and covers that mixes styles and genres with great success; Murrone's vocal range is impressive and he has the crucial ability to connect emotionally with the mood of the songs. Murrone's own compositions lean towards the smooth, soul-jazz end of the spectrum: pretty, melodic and romantic but ...

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324

Album Review

Philippe Quint: Paganini arr. Kreisler: La campanella - Le Streghe - La Cenerentola and Tancredi Variations

Read "Paganini arr. Kreisler: La campanella - Le Streghe - La Cenerentola and Tancredi Variations" reviewed by C. Michael Bailey

by C. Michael Bailey

A modern parallel to the Romantic period relationship of Nicolo Paganini and Fritz Kreisler might be guitarists Jimi Hendrix and Stevie Ray Vaughan. The younger men of the pairs arranged and played the music of the older musicians, adding their own shine to the compositions. Everyone in the quartet was a showman in the extreme. But the genesis of such behavior in performers began with Paganini and his buddy Franz Liszt. Paganini was a mercurial enigma, whose violin talent continues ...

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