Jazz Articles
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New Tricks: Alternate Side
by David A. Orthmann
Each of the nine tracks of Alternate Side by New Tricks, a quartet co-led by saxophonist Mike Lee and trumpeter Ted Chubb, is a journey of an irregular route with lots of detours. The melodies and some of the tunes' structures resemble hard bop but, in general, the music is freer and more intensely interactive. The give and take between the four principals never ends. Because things frequently change in an instant, nothing can be taken for granted. The band ...
Continue Reading...Monty Alexander: Harlem-Kingson Express: Live at Dizzy's Club Coca Cola
by Larry Taylor
Pianist Monty Alexander has always worn his Jamaican heart on his sleeve, incorporated his country's good time music with jazz for over 50 years. With Harlem-Kingston Express: Live, his Motéma debut, , he ventures even further into reggae territory. Six of the 11 tracks were recorded in 2010 at Lincoln Center's Dizzy's Club Coca Cola Club in New York City, with this, his most reggaefied group yet. A hybrid crew is onboard, stretched out across the club's stage, ...
Continue Reading...Take Five With Roger Chong
by AAJ Staff
Meet Roger Chong: Classic jazz guitar-playing with a youthful edge--that;s what jazz guitarist Roger Chong does. A graduate of music from York University in Toronto, Canada, Roger has a solid musical know-how courtesy of his mentors--jazz musicians and educators Roy Patterson, Matt Brubeck, Casey Soko, and Mike Cado. While there, he honed his guitar skills as part of the university jazz orchestra led by its founder, renowned jazz bassist Al Henderson of Time Warp.With Roger;s debut ...
Continue Reading...The Devil and Gil Scott-Heron
by Jeff Winbush
Live long enough and you'll either be disappointed by your heroes or you'll bury them.Did I say heroes"? Sorry. I meant to say Gil Scott-Heron wasn't my hero. He was an innovator, a trailblazer, a pioneer and an inspiration, but he wasn't my hero.He was just one of the coolest brothers I ever heard in my life.Without Gil Scott-Heron would rap music ever been born? Probably, but without the social consciousness of a Scott-Heron, ...
Continue Reading...Kurt Elling: The Gate
by John Kelman
Kurt Elling The Gate Concord Music Group 2011 It's amazing how small age differences can impact on the music that resonates in our youth--experiencing it after the fact being so different than living in its time. For 43 year-old vocalist Kurt Elling, the music that reached his young, impressionable ears came from sources as diverse as Earth, Wind & Fire's I Am (Columbia, 1979) , the early-1980s incarnation of King Crimson and Discipline ...
Continue Reading...Samuel Blaser: Consort in Motion
by Troy Collins
Initially defined by composer Gunther Schuller in the late 1950s as a synthesis of jazz improvisation and classical composition, the Third Stream movement has since drifted into relative obscurity. However, in the ensuing decades the milieu has provided fertile ground for a number of visionary artists to make bold statements. The increasingly commonplace role of conservatory educations for enterprising jazz musicians has also brought newfound potential to this aesthetic; the number of young artists versed in classical composition and jazz ...
Continue Reading...John Escreet: The Age We Live In
by Dan Bilawsky
Pianist John Escreet's meteoric rise into the pantheon of forward-thinking jazz composers has everything to do with his understanding of the fast-paced way of life that seems to have overtaken much of society. Everything is absorbed in little bites, quick flashes, and small doses by the younger generations that have been brought up in this short-attention-span world, and Escreet's music is accepting of this fact. However, it doesn't bow down to the idea that these quick flashes of information can't ...
Continue Reading...London Improvisers Orchestra: Lio Leo Leon
by John Eyles
London Improvisers Orchestra Lio Leo Leon Psi 2011 Each year at London's Freedom of the City (FOTC) festival of improvised music, one of the most eagerly anticipated highlights is the Sunday evening appearance of the London Improvisers Orchestra (LIO). Although the LIO meets monthly throughout the rest of the year, on the first Sunday in May at FOTC they seem to produce something a bit special, not least because there is always a good ...
Continue Reading...Jeff Hackworth: Night Owl
by Greg Simmons
Tenorist Jeff Hackworth taps late 1960s soul jazz on Night Owl. The instrumental mix, with Hammond B3, vibraphone and drums, draws a straight line to the traditions of masters like Lou Donaldson and Big John Patton. The use of organ, in particular, is a distinctive and tacit embrace of the instrument's ability to make anything sound like it's straight out of that era. Hackworth is a first-rate soloist., blowing a forceful, fast and exciting solo on Sideswipe," a ...
Continue Reading...Itai Kriss: The Shark
by Edward Blanco
Swimming through the ocean of jazz, navigating the currents of melodies and harmonies while avoiding the jaws of a shark, can be a blissful experience. There is one shark, though, that needn't be feared, masterfully created by Israeli-born flautist Itai Kriss. The Shark is an exercise in modern hard-bop and Caribbean/Latin rhythms that takes a big bite of jazz and leaves quite an impressive mark. His first album as leader, New York-resident Kriss has been actively involved in performing with ...
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