Jazz Articles
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Bobby Lyle: The Way I Feel
by Chris Becker
Pianist and composer Bobby Lyle's first encounter with the great Hammond B-3 player Jimmy Smith was in a Minneapolis nightclub called Big Al's, where the then-teenaged Lyle performed as the local talent" on the downstairs stage. Upstairs, Smith was playing as the headliner and Lyle, after finishing his set as quickly as possible, raced upstairs to hear Smith and perhaps shake his hand.Jimmy was a black belt in karate," says Lyle of that first meeting. So when he ...
Continue Reading...Bird: The Life and Music of Charlie Parker by Charles Haddix
by C. Michael Bailey
Bird: The Life and Music of Charlie ParkerCharles Haddix190 PagesISBN: 025203791University of Illinois Press2013 Charlie Parker shares with delta blues legend Robert Johnson the lack of a comprehensive and academically-sound biography. Johnson's biographical material is strewn across several books, the earliest riddled with romance and inaccuracy, periodical articles and liner notes. While at least two completed or near completed biographies by the late Stephen Calt and Mack ...
Continue Reading...Gilad Atzmon and the Orient House Ensemble at the Cali
by Sammy Stein
Gilad Atzmon and the Orient House EnsembleCalifornia ClubIpswich, Suffolk UKAugust 18, 2013Once a month, the California Club, affectionately known as the Cali in Ipswich, Suffolk, is transformed into Ipswich Jazz Club. Seating around 150 people, it was once a Liberal club and is run entirely by friends and members as a non-profit venue for jazz fans. They put on a range of local and international artists and offer a welcome to regulars and newcomers.
Continue Reading...Geoff Goodman: Jazz + Haiku
by Chris Mosey
On the face of it jazz and haiku wouldn't seem to have a great deal in common: jazz, born in the brothels of New Orleans at the close of the 19th century; haiku, an offshoot of age-old Japanese Zen Buddhism, seeking answers to the meaning of life in the quiet life and a pithy observation of nature. Yet, as he lurched from one dive to another in Storyville, might not Jelly Roll Morton, on occasion, have gazed ...
Continue Reading...Arborea: Fortress of the Sun
by Glenn Astarita
This duo from Maine casts a post-psychedelic, homespun folk vibe with a few subtle twists, signaling a nouveau spin on bands such as '70s British folk denizen Pentangle, and a classic Haight-Ashbury trippy street fair. Featuring sustainable and impressive compositions, Shanti Curran's virtuous vocals impart a spell of transcendental wonderment, sprinkled with dreamy atmospherics. This acoustic-electric set is devised with hauntingly melodic themes that sometimes drift into an interminable abyss. The creative touch of studio-induced echo adds capacious ...
Continue Reading...Cheryl Bentyne / Mark Winkler: Cheryl Bentyne / Mark Winkler: West Coast Cool
by Edward Blanco
In 2010, veteran Los Angeles singer/lyricist Mark Winkler joined forces with the Manhattan Transfer's lead singer, multi-Grammy Award-winning artist Cheryl Bentyne, playing the music of the '50s and '60s commonly known as West Coast Jazz at venues throughout California and elsewhere. West Coast Cool is this remarkable duo's music-only version of their live show, turning its passion for the music into a vocal tribute of one of the most important styles in jazz history.Defining the style may not ...
Continue Reading...Leon Russell and Southside Johnny &The Asbury Jukes at the NYCB Theatre
by Mike Perciaccante
Leon Russell, Southside Johnny & The Asbury Jukes with special guests The Persuasions NYCB Theatre at Westbury Westbury, NY July 27, 2013Rock 'N' Roll Hall of Fame member Leon Russell, as well as Southside Johnny & The Asbury Jukes, along with special guests The Persuasions, thrilled a small but enthusiastic audience at the intimate NYCB Theater in Westbury on July 27, 2013. The intimate venue, which on many concert occasions is used as a theater ...
Continue Reading...The Geordie Approach: Inatween
by Ian Patterson
At the risk of pigeonholing The Geordie Approach's music, there's really nothing like a little Noise/skronk/experimental electro/free jazz/pounding post-rock to shake off the cobwebs. The trio's debut album, Why Eye (Bruce's Fingers, 2007) will have deterred the faint hearted with its intense free improvisations, and equally, sucked in more adventurous listeners into the all-enveloping spiral of sound. Inatween picks up where Why Eye left off, blurring the edges of musical genres and raising a standard for collective free improvisation that ...
Continue Reading...Rotem Sivan: Enchanted Sun
by Chris May
Is this destined to be one of the great undiscovered albums of the year? Released with little fanfare on Steeplechase's Lookout strand back in June, Enchanted Sun has picked up precious few reviews. Maybe it is just the summer slumber. Let us hope so, for the debut recording from Israeli-born, New York-based guitarist Rotem Sivan and his trio deserves to get n.o.t.i.c.e.d.Unusually for a modern guitar-led album, there are no loops, no effects, no overdubs, no turntablists, no ...
Continue Reading...Cannonball Adderley & Milt Jackson: Things Are Getting Better
by C. Michael Bailey
Cannonball Adderley & Milt JacksonThings Are Getting BetterOJC1959/2013 Alto saxophonist Cannonball Adderley's 1959 Things Are Getting Better joins guitarist Wes Montgomery's So Much Guitar!, trumpeter Chet Baker's Chet Baker Plays The Best Of Lerner & Loewe (OJC/Riverside, 1959/2013) and Gerry Mulligan's Mulligan Meets Monk (OJC/Riverside, 1957/2013) in re-issue celebrating the 60th anniversary of Riverside Records. Adderley was in much demand in the late 1950s, being part of Miles ...
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