Jazz Articles
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Terri Hinte: Co-Creating the Image of Jazz
by Victor L. Schermer
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 [This is the second of an All About Jazz series of interviews and articles on The Many Faces of Jazz Today: Critical Dialogues" in which we explore the current state of jazz around the world with musicians, journalists, and entrepreneurs who give us their own unique perspectives. In the first interview of the series, saxophonist Bobby Zankel provided the perspective of ...
Continue Reading...SFJAZZ Collective: Live: SFJAZZ Center 2016 - Music of Miles Davis & Original Compositions
by John Kelman
In the thirteen years since the SFJAZZ Collective first came together in February 2004, this revolving door octet (septet, in 2009) of cream of the crop" US-based jazz musicians has, most years, followed a consistent modus operandi: select a well-known jazz (and, in two cases, beyond jazz) musician and pay tribute through innovative arrangements of his/her music, alongside a set of new original compositions--in almost every case, one each contributed by every member of the Collective. In the ...
Continue Reading...John Yao Quintet: Presence
by Dan Bilawsky
As human beings we tend to take the very notion of presence for granted, be it the presence of a loved one in our lives, the presence manufactured by our own actions as we present ourselves to the world, or the presence of all that comes and goes in our daily existence. For some reason these things just rarely factor into the way we think from moment to moment. But they should. Those multiple dimensions of meaning ...
Continue Reading...Archer / Mwamba / Bennett / Fairclough: Sunshine! Quartet
by Glenn Astarita
You never know what path British reedman, multi-instrumentalist Martin Archer will traverse. Whether he's leading orchestral units, freely improvised trios, avant-rock and electronics tinged fare or his recordings with legendary rock and jazz vocalist Julie Tippetts, the artist underscores his experimental implementations with the element of surprise. On this quartet date with his fellow countrymen, Archer occasionally interweaves an abstract Birth of the Cool type vibe with forceful mini-motifs, sublime melodies and hearty improvisational sectors. Moreover, each musician contributes one ...
Continue Reading...Steve Coleman: Morphogenesis
by Karl Ackermann
Steve Coleman's music has long sounded largely removed from the direct influence of his native Southside Chicago, not because those elements are missing, but because he creates a hybrid universe that owes as much to Africa and Europe, and to folk, funk, classical and jazz. His newest release, Morphogenesis, while furthering Coleman's musical development, displays features that were present as far back as his Drop Kick (BMG, 1995) and up to Harvesting Semblances and Affinities (Pi Recordings, 2010); the stripped ...
Continue Reading...Nat King Cole Trio: Swiss Radio Days, Vol. 43 - Zurich 1950
by Dan Bilawsky
Nat King Cole means two very different things to two different segments of the music-loving populace today. To those simply plugged into popular culture he's the golden-voiced baritone crooner, debonair and delightful as can be while travelling over the airwaves. But to those steeped in jazz history he's known as a mighty and true pianist, throwing down the gauntlet at Jazz at the Philharmonic shows, pushing a then-progressive agenda with fellow giants Buddy Rich and Lester Young, and walking a ...
Continue Reading...The Brett Gold New York Jazz Orchestra: Dreaming Big
by Jack Bowers
What's that you say? A New York-based Jazz Orchestra as admirable as this one whose recording debut was delayed for more than twenty-five years? There ought to be a law! Well, in this case it wasn't the law but a lawyer who sidetracked the orchestra's debut for so many years. His name is Brett Gold, and he set aside his trombone and dream of leading a band while in college, following instead his parents' wish that he pursue a more ...
Continue Reading...Greg Duncan & The Individuation Quintet: Unification
by Mark Corroto
Let's start at the dénouement. Trumpeter Greg Duncan and his Individuation Quintet close their premier release with Say Hey," a composition Branford Marsalis wrote for director Spike Lee's 1990 film Mo' Better Blues. The conclusion is a fitting genesis for Duncan's declaration. Just like fellow trumpeter Nate Wooley's refashioning of brother Wynton Marsalis' music on (Dance To) The Early Music (Clean Feed, 2015), Duncan has chosen to launch from what was probably the career apex of a previous generation. Duncan's ...
Continue Reading...Steve Coleman's Natal Eclipse: Morphogenesis
by Troy Dostert
After his 2015 masterpiece, Synovial Joints, alto saxophonist/composer Steve Coleman left his listeners wondering how he could try to top that extraordinary project. With 21 musicians and an ambitious melding of classical and jazz instrumentation with intricate compositional decisions, Coleman used that record to reveal yet another dimension of his constantly-evolving musical concept--one that's been changing shape for over thirty years now. In some ways, Morphogenesis continues that project: although this is a smaller nine-piece ensemble, almost all of these ...
Continue Reading...João Pedro Viegas/Guy-Frank Pellerin/Silvia Corda/Adriano Orrù: For Massas
by Daniel Barbiero
Those of us who work at the edges of the musical establishment--free improvisers, experimental musicians, unclassifiable sound artists of all types--inhabit a small community. Part of that community is our audience--an important part, no matter how small it might. I've heard more than one artist say that he or she would be happy to play for an audience of just one serious, engaged listener, if it ever came down to that. (And sometimes it has--I've seen it.) As ...
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