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Jazz Articles about Jay Leonhart
Carol Sloane: Carol Sloane Live At Birdland
by Richard J Salvucci
Was there ever a more storied exponent of the Great American Songbook than Carol Sloane? She started singing professionally at the age of fourteen, made her first recording in 1959, was the “gal singer" for Arthur Godfrey for a spell, and went on to record virtually any tune you can think of (and, more than likely, a few you cannot). Her voice, shimmering and luminous, worked especially well on ballads, but her up-tempo material was equally compelling. She sang with ...
read moreJay Leonhart: Joy
by Angelo Leonardi
Quando c'è una relazione padre/figlio tra due artisti, si usa in genere la figura del genitore per presentare il figlio. Per il giovane pubblico del jazz è invece opportuno fare il contrario, dicendo che l'ottantenne bassista leader di questo trio è il padre di Michael, trombettista e orchestratore acclamato per gli album The Painted Lady Suite , Suite Extracts Vol. 1 e per gli arrangiamenti di Lovers di Nels Cline. Jay Leonhart è un veterano del modern ...
read moreTen Men
by C. Michael Bailey
My unscientific estimate contends that there are three female vocalists for every male vocalist. This does not mean that there are no male vocalists out there as evidenced by these ten examples. They just take a little longer to accumulate. Jay Leonhart and Tomoko Ohno Don't You Wish Chancellor Music 2017 Jay Leonhart is a known entity. He is a well-known bassist and singer, and as he proves on Don't You Wish ...
read moreJay Leonhart: Don't You Wish
by Dr. Judith Schlesinger
After experimenting with other instruments, a phase described in the title track, “Don't You Wish," Jay Leonhart locked onto the bass at the age of 13. Later inspired and mentored by the legendary Ray Brown, he began his stellar career which included playing with icons Duke Ellington, Judy Garland, Buddy Rich, Sarah Vaughan, Mel Torme, and Tony Bennett. Leonhart has also anchored well-known trios and led his own, honing his solid reputation as an exceptionally gifted and versatile musician.
read moreJay Leonhart: Don't You Wish?
by Patrick Burnette
Jay Leonhart has been active as a jazz bassist from the 1960s, and since 1983's Salamander Pie (Digital Music Productions, 1990), he has, from time to time, headlined records as that rara avis, the singer-songwriter who plays acoustic bass rather than acoustic guitar. (one example: “Goodbye, Miami" from the debut--it sounds more prescient day by day.) Leonhart is an accomplished, fluid bassist who's appeared on gigs and records with a host of top-notch musicians. On Don't You Wish? ...
read moreKen Peplowski: Noir Blue
by AAJ Italy Staff
Ken Peplowski con questo disco sa come comunicare emozioni all'ascoltatore in quanto, come giustamente viene notato nelle note di copertina, “è ispirato" e non perchè deve fare qualcosa per essere presente sul mercato discografico a tutti i costi. Noir Blue costituisce una prova insolita, rivolta ad ascoltatori piuttosto smaliziati, che oltre agli standards di Ray Noble, Duke Ellington, Billy Strayhorn e Hoagy Carmichael offre anche un original come “Little Dogs," brano senza un preciso centro tonale ed ispirato ad Ornette ...
read moreKen Peplowski: Noir Blue
by Martin Longley
In his liner notes, saxophonist/clarinetist Ken Peplowski reveals that after hitting fifty, he had no desire to make albums that are going through the motions of record company requirements. Not that such bodies are lately in a position to demand anything. He now intends to make recordings when the inspiration is strong and when the circumstances align in an encouraging fashion. A major part of this disc's genesis seems to be the rapport that Peplowski shares with pianist Shelly Berg. ...
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